Exploring the greatest new and classic plays

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Welcome …

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Latest Episode

063 – Dancing at Lughnasa, by Brian Friel

063 – Dancing at Lughnasa, by Brian Friel

Brian Friel’s magical memory play Dancing at Lughnasa is set at the time of the harvest festival in rural Ireland in 1936. It’s account of the events of that summer in the house of the five unmarried Mundy sisters is filtered many years later through the memory of Michael, the son of the youngest sister. His memory is undoubtedly unreliable, but it is also funny, poetic and profoundly poignant.

Josie Rourke, who directs the gorgeous new production of the play currently playing at the National Theatre in London, joins us to explore Friel’s spellbinding masterpiece.

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Last Time

062 – Private Lives, by Noël Coward

062 – Private Lives, by Noël Coward

Noël Coward’s play Private Lives is both a dazzling dramatic comedy and an excoriating portrait of love and marriage among the disaffected elite of the Jazz Age. Coward himself starred in the premiere production in both London and New York in 1930, the critics acclaiming the show’s construction and wit, but predicting that it would not last. As a new production opens at the Donmar theatre in London, I ask Coward’s newest biographer, Oliver Soden, why the play has aged so well.

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Recent Episodes

061 – Sea Creatures, by Cordelia Lynn

061 – Sea Creatures, by Cordelia Lynn

Cordelia Lynn’s play Sea Creatures is a poetic exploration of loss and grief, its setting betwixt the sea and shore rich in metaphoric resonances. As we record this episode, Sea Creatures is playing at the Hampstead Theatre in London in a spellbinding production directed by James Macdonald.

I am delighted to be joined by playwright Cordelia Lynn to talk about her fascinating new play.

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060 – A Streetcar Named Desire, by Tennessee Williams

060 – A Streetcar Named Desire, by Tennessee Williams

A Streetcar Named Desire is one of the towering masterpieces of American theatre, distinguished for its frank depiction of sexual compulsion, its lyrical language, and its poignant portrait of mental fragility, as well as the bitter clash between two of the greatest dramatic characters – the damaged and defiant Blanche Dubois and the unrestrained masculine power that is Stanley Kowalski.

As a new production opens in London’s West End, I’m delighted to be joined by Tennessee Williams expert, Professor Thomas Keith, to help survey this giant of a play.

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059 – Paradise Now! , by Margaret Perry

059 – Paradise Now! , by Margaret Perry

Margaret Perry’s new play Paradise Now! brings together a group of women who join a pyramid selling scheme promoting a range of essential oils that soothe a myriad of life’s stresses. The women hope that they will find cures to the challenges in their own lives, but the road to Paradise is not so sure and smooth.
Following its acclaimed run at the Bush Theatre in London, Margaret joins me to talk about her perceptive, funny and moving play.

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Footnotes

Dancing at Lughnasa – Footnotes

Dancing at Lughnasa – Footnotes

The Footnotes to our episode on Brian Friel’s Dancing at Lughnasa include more on the meaning of dancing in the play, as well as some observations on the characters of Kate and Father Jack.

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Private Lives – Footnotes

Private Lives – Footnotes

The Footnotes to our episode on Noël Coward’s Private Lives include observations on what kind of love is on show in the play, on Sybil and Amanda as different kinds of women, and on the verbal precision of Coward’s language.

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A Streetcar Named Desire – Footnotes

A Streetcar Named Desire – Footnotes

The Footnotes to our episode on Tennessee Williams’ A Streetcar Named Desire include more on the autobiographic sources for the play, observations on the character of Blanche’s young gay husband, and on the social context in the time the play was written.

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Your host …

I’m Douglas Schatz, founder and host of The Play Podcast.

I had the great privilege to work for a number of years as the Managing Director of Samuel French, the renowned play publishers and theatrical licensing agent. I was lucky enough to be able to read plays and go to the theatre, and call it work. One of the most rewarding parts of my job was the time spent talking in depth with writers, directors, agents, and colleagues about plays. We talked endlessly about plays.

The idea for The Play Podcast is to continue those conversations. To talk in depth about a play, more than you will find in the reviews of a single production. To look at the origins of the play, its plot, themes, characters, and structure. To consider it in the context of the playwright’s life and times, its place in the dramatic canon, and its current and enduring relevance.

Each episode focuses on a single play, or perhaps very occasionally two, to talk about for up to an hour with one or more of our expert guests. We will often choose a play that is live on stage somewhere in the UK, which gives us and listeners the added opportunity to see and review a current production. This is not a review show though, because we are interested in the play itself. We want you to enjoy listening whether or not you are able to see a particular production, and whenever you find us.
Please feel free to contact us at plays@theplaypodcast.com with your comments on our conversations, and with suggestions about plays that you recommend that we could explore on the podcast.

You can email us at plays@theplaypodcast.com

Suggest a play

We’re always open to suggestions about plays to talk about, so if you’d like us to discuss a favourite of yours, please email us at plays@theplaypodcast.com. Let us know why you think we should cover it, and if you know anyone who’d be excited and qualified to talk about it with us (even yourself if modesty permits!).