The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.
Jez Butterworth’s play Jersualem is one of the landmark plays of the 21st century, acclaimed for both its lyrical and elusive text exploring English identity, and for its electrifying theatrical production. The once-in-a lifetime performance is happily being repeated with the current West End revival, and it seems fitting that our 50th episode be devoted to this remarkable play. I’m joined by David Ian Rabey, Emeritus Professor at Aberystwyth University and author of The Theatre and Films of Jez Butterworth.
Win Theatre Tokens worth £50!
We thought that we should mark the milestone of our 50th episode in some way, and I’m delighted to say that Theatre Tokens have been generous enough to offer our loyal listeners two prizes of tokens worth £50 each.
Theatre Tokens is a not-for-profit organisation whose mission is to encourage people to visit the theatre. The tokens can be used at over 270 venues around the UK, and all of the money generated by the sale of tokens is reinvested into the theatre industry. The tokens are available as Gift Cards and as eGifts, and they have no expiry date.
For your chance to win one of the £50 prizes, all you need to do is to identify what the most popular episode of our 50 released to date has been. Simply email us at email@example.com with the name of the episode that you believe has been listened to more times than any other. The competition will close at midnight on the 31st of August 2022, at which point I will randomly select two of the correct answers. Good luck!
Thank you for supporting the podcast for the first 50 shows.
Although August Wilson’s play Jitney is set in the office of an unlicensed taxi company in Pittsburgh in 1977, its themes, and the relationships and hopes and dreams of its characters are universal. I’m joined in this episode by actors Wil Johnson and Tony Marshall who are currently starring in the Old Vic’s vibrant new production of the play.
Much Ado About Nothing is rightly renowned for the “merry war” of wits between the reluctant lovers Beatrice and Benedick, but alongside their brilliant partnership, there is also a darker story of misogyny and betrayal that gives the play a more complex and challenging character. Lucy Bailey, director of the joyous production currently running at the Globe Theatre in London joins me to review this romantic rollercoaster.
David Eldridge’s new play Middle, now playing at the National Theatre, follows on from his 2017 play Beginning. It is the second in what will be a “triptych for the theatre”, capturing epochal moments in couples’ relationships. I’m delighted to welcome David back to talk about the important dramatic trilogy he is building.
The Footnotes to our episode on Much Ado About Nothing include more on the meaning of the title, the rhetoric in play in the verbal tennis of the dialogue, and the changing perception of Beatrice through the ages.
The Footnotes to our episode on Middle include the significance of Crouch End, the sources of our personal life goals, and what the musical selections in the play signal.
The Footnotes to our episode on All My Sons include Miller’s sources of the story in the play, observations on his critique of the American Dream, and the characters of Ann and George Deever.
Your host …
I’m Douglas Schatz, founder and host of The Play Podcast.
I had the great privilege to work for a number of years as the Managing Director of Samuel French, the renowned play publishers and theatrical licensing agent. I was lucky enough to be able to read plays and go to the theatre, and call it work. One of the most rewarding parts of my job was the time spent talking in depth with writers, directors, agents, and colleagues about plays. We talked endlessly about plays.
The idea for The Play Podcast is to continue those conversations. To talk in depth about a play, more than you will find in the reviews of a single production. To look at the origins of the play, its plot, themes, characters, and structure. To consider it in the context of the playwright’s life and times, its place in the dramatic canon, and its current and enduring relevance.
Each episode focuses on a single play, or perhaps very occasionally two, to talk about for up to an hour with one or more of our expert guests. We will often choose a play that is live on stage somewhere in the UK, which gives us and listeners the added opportunity to see and review a current production. This is not a review show though, because we are interested in the play itself. We want you to enjoy listening whether or not you are able to see a particular production, and whenever you find us.
Please feel free to contact us at firstname.lastname@example.org with your comments on our conversations, and with suggestions about plays that you recommend that we could explore on the podcast.
You can email us at email@example.com
Suggest a play
We’re always open to suggestions about plays to talk about, so if you’d like us to discuss a favourite of yours, please email us at firstname.lastname@example.org. Let us know why you think we should cover it, and if you know anyone who’d be excited and qualified to talk about it with us (even yourself if modesty permits!).