The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.
Simon Stephens’s magical adaptation of Mark Haddon’s bestselling novel The Curious Incident of the Dog in the Night-Time has been a smash hit around the world, loved for its innovative theatrical form and for its unique hero, 15-year old Christopher Boone, who teaches us to see the world differently. As the play embarks on a nationwide UK tour, I’m delighted to talk with Simon.
Best of Enemies re-enacts the explosive TV debates between American political pundits Gore Vidal and William F Buckley from 1968, and in so doing turns the lens on the corrosive nature of political discourse in our media today. Playwright James Graham joins us to talk about his fascinating new play.
Macbeth is a tragedy of love, ambition and betrayal, propelled by relentless energy and shocking violence, and infused by an air of the supernatural. Professor Emma Smith from Hertford College, Oxford, joins us to explore Shakespeare’s notorious ‘Scottish play’.
Joe Penhall’s explosive and unsettling play Blue/Orange addresses issues of mental illness, racial prejudice and interpersonal power. I’m delighted to be joined in this episode by the playwright Joe Penhall and by James Dacre, the director of the 20th anniversary production of the play.
Arguably the world’s most famous play, The Tragical History of Hamlet has all of the elements of great drama: a revenge thriller, a tragic love story, political intrigue, wondrous poetry, philosophical insight, but most of all a uniquely brilliant but flawed hero. Greg Hersov, director of the new Young Vic production, helps guide us through the almost infinite enchantments and challenges of the play.
The Footnotes to our episode on The Curious Incident of the Dog in the Night-Time include observations on the dramatic irony at work in the play – ironically it’s not as simple as we may think – as well as the uncommon and common challenges of parenting, and the peeling away of labels.
The Footnotes to our episode on Macbeth include observations on the unnatural, propulsive pace of the play, and on the origins and interpretations of Shakespeare’s three ‘weird’ sisters.
The Footnotes to our episode on Blue/Orange include some further thoughts on the significance of the slightly awkward back slash in the title of the play.
The Footnotes to our episode on Hamlet include further thoughts on the nature of Hamlet’s ‘madness’, why the flawed hero retains our sympathy throughout the play despite some aspects of his behaviour, and how we can draw a credible psychological path for Ophelia’s descent.
The Footnotes to our episode on Our Country’s Good include observations on the parallels with the play-within-the-play, The Recruiting Officer.
The Footnotes to our episode on George Farquhar’s classic Restoration Drama The Recruiting Officer include observations on the multiple meanings of the play’s title, and the extraordinary story of its first production in Australia in 1789.
Before the theatres went dark this month I was lucky enough to see Caryl Churchill’s A Number at the Bridge, and spend more than seven hours in thrall to Robert Lepage’s Seven Streams of the River Ota at the National. Plus, some thoughts on what we miss when there is no theatre.
Another great mix of shows this month, from Tom Stoppard’s new play, to Ibsen, Beckett and newer plays in smaller London venues.
The January roundup included both classic plays, such as The Duchess of Malfi, Uncle Vanya and Three Sisters, as well as recent musicals Dear Evan Hansen and Girl from the North Country …
Your host …
I’m Douglas Schatz, founder and host of The Play Podcast.
I had the great privilege to work for a number of years as the Managing Director of Samuel French, the renowned play publishers and theatrical licensing agent. I was lucky enough to be able to read plays and go to the theatre, and call it work. One of the most rewarding parts of my job was the time spent talking in depth with writers, directors, agents, and colleagues about plays. We talked endlessly about plays.
The idea for The Play Podcast is to continue those conversations. To talk in depth about a play, more than you will find in the reviews of a single production. To look at the origins of the play, its plot, themes, characters, and structure. To consider it in the context of the playwright’s life and times, its place in the dramatic canon, and its current and enduring relevance.
Each episode focuses on a single play, or perhaps very occasionally two, to talk about for up to an hour with one or more of our expert guests. We will often choose a play that is live on stage somewhere in the UK, which gives us and listeners the added opportunity to see and review a current production. This is not a review show though, because we are interested in the play itself. We want you to enjoy listening whether or not you are able to see a particular production, and whenever you find us.
Please feel free to contact us at firstname.lastname@example.org with your comments on our conversations, and with suggestions about plays that you recommend that we could explore on the podcast.
You can email us at email@example.com
Suggest a play
We’re always open to suggestions about plays to talk about, so if you’d like us to discuss a favourite of yours, please email us at firstname.lastname@example.org. Let us know why you think we should cover it, and if you know anyone who’d be excited and qualified to talk about it with us (even yourself if modesty permits!).