Show notes

Henrik Ibsen’s A Doll’s House remains one the most popularly produced and adapted plays in theatrical history. What is it about a play that was written more than 140 years ago that continues to inspire and challenge contemporary playwrights and audiences? The character of Nora is an iconic figure: her decision to leave her husband and three children remains a controversial act of female agency. To explore the enduring relevance of this classic play, we are joined by Dan Rebellato, playwright and Professor of Contemporary Theatre at Royal Holloway, University of London. The episode coincides with a radical new adaptation of the play by Stef Smith that played at the Young Vic theatre in London.

Dan Rebellato

Dan Rebellato is a playwright, journalist and Professor of Contemporary Theatre at Royal Holloway, University of London. He has written 17 stage plays and numerous radio plays, published several books on contemporary British theatre, as well as edited the Nick Hern series of Terence Rattigan’s plays.

In February 2020 Dan devised and hosted a day-long symposium entitled Re-Imagining Nora, to coincide with a new production of A Doll’s House at the Young Vic theatre in London. As the title suggests, the symposium examined the enduring interest in our reviving and adapting Ibsen’s great play.

Visit Dan’s website here

Recommended Play

Dan recommended any Caryl Churchill play, especially Far Away.

The Texts

If you are interested in buying the play text or other related books, we’d be delighted if you choose to purchase them by following the links below. We will earn a small commission on every book you purchase, which helps to keep the podcast going. You will also be supporting an independent bookseller. Thank you.

Photo © Marc Brenner

We have footnotes for this episode …

These footnotes are a follow-up to our live discussion in episode one of the podcast, including a selection of points from my researches that we didn’t happen to include, as well as follow-up on any facts and questions that came up during our conversation with Dan.

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