008 – The Deep Blue Sea, by Terence Rattigan

Jul 9, 2020 | Podcast Episodes | 0 comments

“When you’re between any kind of devil and the deep blue sea, the deep blue sea sometimes looks very inviting.”

So Hester Collyer describes the despair that led her to attempt suicide at the opening of Terence Rattigan’s masterpiece The Deep Blue Sea.

When it was first performed in 1952, Rattigan was the most successful playwright in Britain, and his latest play was met with critical aclaim. However later in the 1950s and 1960s with the rise of playwrights such as Samuel Beckett, Harold Pinter, and the angry young men, including John Osborne, and Arnold Wesker, Rattigan’s plays were all but written off as dated melodrama. It was a modern production of The Deep Blue Sea at the Almeida theatre in London in 1993, with Penelope Wilton in the lead role, that brought a new lens through which to view Rattigan, and the play was greeted as a “modern classic”.

Rattigan’s portrait of a doomed love affair explores the force of sexual love and its power to destroy relationships and subvert social convention, and in the figure of Hester Collyer gives us one of the most emotionally charged female characters in drama.

To coincide with the National Theatre at Home broadcast of their 2016 production of the play starring Helen McCrory in the lead role, we delve deep into what is arguably Rattigan’s most personal and most devastatingly powerful play in conversation with Dan Rebellato.

Dan Rebellato

Dan was our very first guest on The Play Podcast, when we talked together about Henrik Ibsen’s A Doll’s House back in episode 1.
In addition to being a playwright, journalist and Professor of Contemporary Theatre at Royal Holloway, University of London, Dan is also the series editor of Terence Rattigan’s plays for the specialist drama publisher Nick Hern, in which capacity he has written introductions to Rattigan and all of his texts, as well as published and spoken about his work in many other contexts.
At last count Dan has written 17 stage plays, numerous radio plays, and published several books on contemporary British theatre. During the recent coronavirus lockdown Dan has taken the opportunity to create a series of YouTube interviews with a stellar line-up of playwrights under the heading Playwrights in Lockdown. The series is a wonderful repository of knowledge and insight into the methods and work of many of the leading writers of our time. 

The Texts

If you are interested in buying the play text or other related books, we’d be delighted if you choose to purchase them by following the links below. We will earn a small commission on every book you purchase, which helps to keep the podcast going. You will also be supporting an independent bookseller. Thank you.

Photo © Marc Brenner

We have footnotes for this episode …

More observations on The Deep Blue Sea following our conversation with Dan, including playing Hester with “no clothes on”, trading Shakespearean quotes on Love and Lust, the unimportance of “the physical side, objectively speaking”, and the whereabouts of a shilling coin.

0 Comments

Submit a Comment

Your email address will not be published. Required fields are marked *

Suggest a play

We’re always open to suggestions about plays to talk about, so if you’d like us to discuss a favourite of yours, please email us at plays@theplaypodcast.com. Let us know why you think we should cover it, and if you know anyone who’d be excited and qualified to talk about it with us (even yourself if modesty permits!).

Plays suggested for discussion by our Guests and Listeners - which gets your vote?
  • Add your own suggestion

You might also be interested in …

026 – A Servant to Two Masters, by Carlo Goldoni (& One Man Two Guvnors by Richard Bean)

026 – A Servant to Two Masters, by Carlo Goldoni (& One Man Two Guvnors by Richard Bean)

One Podcast Two Plays! Carlo Goldoni’s Commedia dell’Arte classic A Servant to Two Masters and Richard Bean’s hilarious update One Man Two Guvnors. We explore all of the ingredients of the original play in the tradition of Commedia dell’Arte, as well as how Bean translated these so successfully into his smash hit at the National Theatre. Writer and director Justin Greene joins me to sample this multi-course theatrical banquet. (Commedia afficionados will appreciate the gourmet references!).

025 – Medea, by Euripides

025 – Medea, by Euripides

The dramatic tragedy of a wife who murders her own two sons in a desperate act of grief and revenge remains as disturbing and deeply moving as when it was written nearly 2,500 years ago. Medea by Euripides is timeless not only because of our fascination with Medea’s horrific crime, but for the poetry of its language, and its unflinching portrayal of a woman all but powerless in a patriarchal world. The play was recently revived at the National Theatre with a stunning performance by Helen McCrory in the title role, which is now available to view on the National Theatre at Home. I’m joined by renowned classical scholar Edith Hall to explore our enduring fascination with Medea.

024 – Consent, by Nina Raine

024 – Consent, by Nina Raine

The main characters in Nina Raine’s play Consent are barristers contesting a brutal rape case. As the case unfolds the lawyers’ marriages come unravelled and they themselves cross the line of honour or even of the law. Consent explores some of the most charged issues of our time: the sources of sexual betrayal and violence, the ambiguities of consent, and the failings of the justice system to account proportionally or sensitively with cases of sexual abuse. I am delighted and honoured to be joined in this episode by the author of Consent, Nina Raine, and by actor Adam James, who appeared in the National Theatre production in the role of Jake.

Recent Posts 

The 2020 Theatre Diary – March

The 2020 Theatre Diary – March

Before the theatres went dark this month I was lucky enough to see Caryl Churchill’s A Number at the Bridge, and spend more than seven hours in thrall to Robert Lepage’s Seven Streams of the River Ota at the National. Plus, some thoughts on what we miss when there is no theatre.

The 2020 Theatre Diary – January

The 2020 Theatre Diary – January

The January roundup included both classic plays, such as The Duchess of Malfi, Uncle Vanya and Three Sisters, as well as recent musicals Dear Evan Hansen and Girl from the North Country