The Welkin at the National Theatre 2020
Photo: Brinkhoff-Moegenburg
019 – The Welkin, by Lucy Kirkwood
Podcast: Play in new window | Download
Follow the podcast Apple Podcasts | Google Podcasts | Spotify | Android | Stitcher | TuneIn | RSS | More
It is 1759 in East Anglia. A child has been murdered and a young woman has been convicted to hang for the crime. She ‘pleads her belly’ and a jury of matrons must determine if she is truly with child and thus may escape the gallows. Lucy Kirkwood’s powerful play The Welkin, is an historical thriller and a tense courtroom drama, as well as a vivid representation of the real burdens that women carry in a patriarchal world of any age. It also reminds us how what we believe informs how we exercise our social responsibilities. The play is not simply a recreation of the past, but a timeless testament to women’s resilience. I am delighted to be joined by the playwright herself to explore her rich and resonant new play.
The Welkin premiered at the National Theatre in London in January 2020 with a fabulously strong female cast that included Maxine Peake, Haydn Gwynne, Ria Zmitrovicz, among many others, and was directed by James MacDonald. The play’s run was sadly cut short by the first Covid lockdown in March 2020. We look forward to its revival on stages around the world when theatre returns.
Lucy Kirkwood
Lucy Kirkwood is a playwright and screenwriter. Her plays include her acclaimed Chimerica, which dramatized in stunning visual stagecraft the relationship between China and America through the iconic photograph of the Tiananmen Square protests. The play won an Olivier award for best play in 2014, and was expanded into a four-part TV drama by Lucy herself.
Her next play, The Children, produced at the Royal Court in 2016 and directed by James MacDonald, is a thought-provoking and moving story of love and friendship set in an apocalyptic world following an unspecified environmental disaster, which unexpectedly has echoes of the pandemic we are living through.
Lucy’s play Mosquitoes starring Olivia Coleman and Olivia Williams was staged by the National Theatre in 2017. Mosquitoes combines a family drama with the science of particle physics, and is typical of the ambition, variety and emotional power of Lucy’s work, which explores large ideas and themes through moving personal stories.
In addition to her TV adaptation of Chimerica, Lucy’s screenwriting credits include The Smoke for Sky TV in 2008,and most recently the four-part series Adult Material, which followed a woman’s life in the adult film industry.
Recommended Play
Lucy recommended Disappeared by Phyllis Nagy.
Photo: Christian Sinibaldi – The Guardian
The Footnotes to our episode on The Welkin include more on symbols in the sky, the life of the wife of a poet, and the apt sound of the butter churn.
BECOME A PATRON!
Since I launched The Play Podcast in April 2020, I have managed to eschew any form of advertising or sponsorship, and I would like to continue to produce the podcast without doing so. I therefore invite you to help me to continue to make the podcast by becoming a Patron.
Additional benefits available to Patrons include Footnotes on the plays covered in the podcast, as well as exclusive access to The Play Review.
For details click here
Thank you very much for listening and for your support.
Douglas
If you are interested in buying the play text or other related books, we’d be delighted if you choose to purchase them by following the links below. We will earn a small commission on every book you purchase, which helps to keep the podcast going. Through our selected partners Bookshop.org and Blackwell’s you will also be supporting independent bookshops. Thank you.
2 Comments
Submit a Comment
063 – Dancing at Lughnasa, by Brian Friel
Podcast: Play in new window | Download
Follow the podcast Apple Podcasts | Google Podcasts | Spotify | Amazon Music | Android | iHeartRadio | Stitcher | TuneIn | RSS | Follow the podcast
Brian Friel’s magical memory play Dancing at Lughnasa is set at the time of the harvest festival in rural Ireland in 1936. It’s account of the events of that summer in the house of the five unmarried Mundy sisters is filtered many years later through the memory of Michael, the son of the youngest sister. His memory is undoubtedly unreliable, but it is also funny, poetic and profoundly poignant.
Josie Rourke, who directs the gorgeous new production of the play currently playing at the National Theatre in London, joins us to explore Friel’s spellbinding masterpiece.
062 – Private Lives, by Noël Coward
Podcast: Play in new window | Download
Follow the podcast Apple Podcasts | Google Podcasts | Spotify | Amazon Music | Android | iHeartRadio | Stitcher | TuneIn | RSS | Follow the podcast
Noël Coward’s play Private Lives is both a dazzling dramatic comedy and an excoriating portrait of love and marriage among the disaffected elite of the Jazz Age. Coward himself starred in the premiere production in both London and New York in 1930, the critics acclaiming the show’s construction and wit, but predicting that it would not last. As a new production opens at the Donmar theatre in London, I ask Coward’s newest biographer, Oliver Soden, why the play has aged so well.
061 – Sea Creatures, by Cordelia Lynn
Podcast: Play in new window | Download
Follow the podcast Apple Podcasts | Google Podcasts | Spotify | Amazon Music | Android | iHeartRadio | Stitcher | TuneIn | RSS | Follow the podcast
Cordelia Lynn’s play Sea Creatures is a poetic exploration of loss and grief, its setting betwixt the sea and shore rich in metaphoric resonances. As we record this episode, Sea Creatures is playing at the Hampstead Theatre in London in a spellbinding production directed by James Macdonald.
I am delighted to be joined by playwright Cordelia Lynn to talk about her fascinating new play.
Very interesting indeed
I would also have reserved a moment for the veins of humour
You’re right, Judith. Thanks.