026 – A Servant to Two Masters, by Carlo Goldoni (& One Man Two Guvnors by Richard Bean)
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Carlo Goldoni devised his classic Commedia dell’Arte play A Servant to Two Masters in 1746 as a series of sketches and prompts for a company of actors to improvise on. Disappointed by the inconsistency of their performances he determined to write out a full script to ensure that his vision would be properly presented and preserved. Goldoni’s wonderful theatrical construction combines a hopelessly convoluted plot, an array of archetypal comic characters, moments of improvised inspiration, and knockdown slapstick routines, and it became a template for what we know as farce and pantomime.
The story of the hapless servant who takes on two jobs in a bid to secure his next meal has been revived many times over, most recently in Lee Hall’s adaptation for the Royal Shakespeare Company, a version that has become a set text on the A Level Drama curriculum, and in Richard Bean’s hilarious update One Man Two Guvnors, which the National Theatre produced in 2011 with James Corden in incomparable form as the wily servant. The NT production went on to transfer to London’s West End and to Broadway, and was streamed on TV to a global audience during the pandemic lockdown in the Summer of 2020.
I’m joined in this episode by writer and director Justine Greene to explore both Goldoni’s original play and the world of Commedia dell’Arte, as well as Richard Bean’s smash hit. One Podcast Two Plays!
Justin Greene
Justin Greene is a director, writer and producer for theatre, television and radio. His writing credits include the musical Spend Spend Spend, which he wrote the book and lyrics for with composer Steve Brown, and also directed. The show won the Evening Standard, Critics Circle and Barclays Theatre awards for Best Musical and was nominated for an Olivier in the same category. He co-authored with Steve Cooke the sci-fi comedy Totally Foxed, which premiered at the Nuffield Theatre in Southampton and later toured nationally, an adaptation of Boccaccio’s The Decameron for Paines Plough, which won an Edinburgh Festival Fringe First award, and Ludwig & Bertie, a farce about the meeting of Bertrand Russell and Ludwig Wittgenstein.
As a director Justin has been Associate Director at the Leicester Haymarket Theatre and Paines Plough, and for four years was Artistic Director of the Nuffield Theatre in Southampton. He has directed shows in the West End and in countless theatres around the country.
Recommended Play
Justin recommended Gas by George Kaiser.
The Footnotes to our episode on A Servant to Two Masters and One Man Two Guvnors include a cast list of Commedia dell’Arte characters, notes on the harlequin’s hunger and cross-dressing for power in a patriarchal world.
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063 – Dancing at Lughnasa, by Brian Friel
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Brian Friel’s magical memory play Dancing at Lughnasa is set at the time of the harvest festival in rural Ireland in 1936. It’s account of the events of that summer in the house of the five unmarried Mundy sisters is filtered many years later through the memory of Michael, the son of the youngest sister. His memory is undoubtedly unreliable, but it is also funny, poetic and profoundly poignant.
Josie Rourke, who directs the gorgeous new production of the play currently playing at the National Theatre in London, joins us to explore Friel’s spellbinding masterpiece.
062 – Private Lives, by Noël Coward
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Noël Coward’s play Private Lives is both a dazzling dramatic comedy and an excoriating portrait of love and marriage among the disaffected elite of the Jazz Age. Coward himself starred in the premiere production in both London and New York in 1930, the critics acclaiming the show’s construction and wit, but predicting that it would not last. As a new production opens at the Donmar theatre in London, I ask Coward’s newest biographer, Oliver Soden, why the play has aged so well.
061 – Sea Creatures, by Cordelia Lynn
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Cordelia Lynn’s play Sea Creatures is a poetic exploration of loss and grief, its setting betwixt the sea and shore rich in metaphoric resonances. As we record this episode, Sea Creatures is playing at the Hampstead Theatre in London in a spellbinding production directed by James Macdonald.
I am delighted to be joined by playwright Cordelia Lynn to talk about her fascinating new play.
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