043 – Faith Healer, by Brian Friel
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Frank Hardy is a faith healer who is only occasionally able to heal. In fact nine times out of ten nothing happens. Frank, his long-suffering, indefatigably loyal wife Grace, and his manager, Teddy, tour small towns in Scotland and Wales hoping that Frank’s gift may reveal itself to the hopeless few that turn up to be cured. Grace and Teddy are tethered to Frank by their lack of alternatives and by his intermittent charisma and charm, despite his indifference and cruelty. When they have finally exhausted their chances in Britain they return to Ireland, where on a night in a pub in Donegal they reach the end of the road.
Each of these three characters tells their own version of their tawdry and tragic story in a sequence of monologues that together form Irish playwright Brian Friel’s masterpiece, Faith Healer. Although the premiere of the play in New York in 1979 was not a success, the Abbey Theatre in Dublin gambled on restaging it shortly thereafter, and it was a critical and popular triumph. The seminal 1980 Abbey production was directed by its young Artistic Director Joe Dowling, who recently returned to the same theatre more than 40 years later to direct a landmark revival of the play.
I am thrilled to be able to talk with Joe Dowling about a magnificent play that he has a unique knowledge of.
Joe Dowling
Joe Dowling was born and educated in Dublin where at the age of 28 he became the youngest Artistic Director in the history of the Abbey Theatre. He followed his time at the Abbey by running the Gaiety theatre in Dublin, before moving to North America, where in 1996 he was appointed Artistic Director of the prestigious Guthrie Theatre in Minneapolis. In his twenty years in charge at the Guthrie he directed more than 50 productions, including Shakespeare, American classics by O’Neill, Miller and Williams, as well as Irish plays of course, including Faith Healer in 2009, which he not only directed but also appeared in.
Joe recommended The Gigli Concert by Tom Murphy
Photo by Joan Marcus
The Footnotes to our episode on Faith Healer include observations on the elusive faith of the healers and the healed, and on the emotional truth of our memories.
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067 – Red Pitch by Tyrell Williams
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Tyrell William’s award-winning, debut play Red Pitch is set on an inner-city football pitch in South London. It is a coming-of-age story, with teenage boys fighting to believe in their dreams, and to find a way up, and perhaps out, of their changing community. The play premiered at the Bush Theatre in London in February 2002, winning several awards, and is currently enjoying a sell-out revival at the Bush.
Tyrell Williams, and the show’s director, Daniel Bailey, join me to explore this joyful and poignant new play.
Photo by Helen Murray.
066 – The Pillowman by Martin McDonagh
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Martin McDonagh’s 2004 play The Pillowman is an unsettling mix of gruesome fairy tales, child abuse, and murder, overlaid with McDonagh’s signature black humour. McDonagh’s blend of extreme violence and ironic comedy divides opinion, although the popularity of the current revival of the play in London’s West End is testimony to its enduring fascination.
I am joined in this episode by Professor Eamonn Jordan, to help us come to terms with the impact and intent of McDonagh’s work.
065 – Accidental Death of an Anarchist, by Dario Fo and Franca Rame
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Accidental Death of an Anarchist by Dario Fo and Franca Rame is both an hilarious farce and a biting satire. Written in 1970 as an “act of intervention” in response to the unexplained death of a prisoner in police custody in Milan, it became a huge global hit.
An acclaimed new adaptation that updates the setting and scandal to modern-day Britain is currently playing at the Theatre Royal Haymarket, and I’m delighted to be joined by its writer, Tom Basden, and the director, Daniel Raggett, to talk about their adaptation and the enduring relevance of Fo’s original.
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