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012 – Footnotes 1

012 – Footnotes 1

This episode is a recorded ragbag of selected extra Footnotes that we’ve compiled during the research and conversations from our first eleven episodes. You’ll hear trivial titbits of information in the best tradition of footnotes, as well as pithy observations on all of the plays that we’ve covered so far.

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Last Time

011 – Beginning, by David Eldridge

011 – Beginning, by David Eldridge

Photo: Johan Persson

In David Eldridge’s wonderful two-hander we eavesdrop on a funny, poignant and potentially life-changing date between two people whose lives have not yet turned out as hope or promised. The playwright himself joins us to share with us where the play came from and review how the date unfolds

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Previous Episodes

010 – Albion, by Mike Bartlett

010 – Albion, by Mike Bartlett

Photo: Marc Brenner

Mike Bartlett’s major new play Albion is a funny and moving portrait of an individual family coping with grief and life’s big challenges, as well as a reflection on issues consuming the nation at the height of the Brexit debate. Joining us to review the reverberations of this rich play are the two leading players in its recent Almeida production: Victoria Hamilton and Nicholas Rowe.

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009 – Nigel Slater’s Toast, by Henry Filloux-Bennett

009 – Nigel Slater’s Toast, by Henry Filloux-Bennett

Nigel Slater’s Toast is an innovative dramatisation of the award-winning memoir of the same name, that described the life-changing events of the author’s childhood through his nostalgic diary of his favourite foods. Henry Filloux-Bennett’s funny and heart-warming play not only brings food to life in the theatre, it tells the inspiring story of a young boy who has the courage to follow his own recipe in life.

The two authors of Nigel Slater’s Toast, Henry Filloux-Bennett and Nigel Slater himself, join us to share the unlikely story of how a catalogue of childhood foods became a hit play.

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008 – The Deep Blue Sea, by Terence Rattigan

008 – The Deep Blue Sea, by Terence Rattigan

Terence Rattigan’s masterpiece The Deep Blue Sea was written off for more than 30 years as a dated melodrama until a landmark production at the Almeida in 1993 led to its reappraisal as a “modern classic”. The National Theatre at Home will broadcast their production starring Helen McCrory in the lead role as from 9th of July, and on the same day we will delve into the play in conversation with Dan Rebellato, the series editor of Rattigan’s plays for specialist drama publisher Nick Hern.

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007 – Lungs, by Duncan Macmillan

007 – Lungs, by Duncan Macmillan

Photograph: Helen Maybanks

A young couple navigate the age-old debate of whether or when to embark on having a baby. They are naturally worried about their personal responsibilities, but most topically they are also concerned about the impact that their adding to the global population will have on the world’s climate and future.

Duncan Macmillan’s award-winning play written in 2011, was revived at the Old Vic in 2019 with Claire Foy and Matt Smith conducting the debate. They will shortly reprise their roles via the Old Vic’s innovative in Camera live stream for a limited run from 26th June. Joining us to review the ongoing debate is George Spender, former editorial director at Oberon Books who publish Lungs and the playwright’s other plays.

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006 – Betrayal, by Harold Pinter

006 – Betrayal, by Harold Pinter

Pinter’s modern classic dissects the dynamics of betrayal in marriage, friendship and work. The ambiguities of the adulterous affair that is the core of the play are made all the more unsettling by the innovative chronology of the narrative: the play famously opens with the end of the affair and works backwards to its inception.
Joining us to mine the depths of Pinter’s compressed masterpiece is Mark Taylor-Batty, senior lecturer in Theatre Studies at the University of Leeds and author of The Theatre of Harold Pinter (Bloomsbury 2014).

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005 – The Tempest, by William Shakespeare

005 – The Tempest, by William Shakespeare

Photo © Manuel Harlan

From the dramatic opening shipwreck on an “isle full of noises, sounds and sweet airs”, Shakespeare’s late masterpiece is a magical play. Join us as actor Tim McMullan shares his personal insights from his acclaimed performance as the magician Prospero at the Sam Wanamaker Theatre at the Globe in 2016, just one of Tim’s many outstanding Shakespearean roles.

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004 – The Revlon Girl, by Neil Anthony Docking

004 – The Revlon Girl, by Neil Anthony Docking

Eight months after the disaster that killed 144 people in the Welsh mining village of Aberfan in October 1966, a group of bereaved mothers gather in a local hotel for a demonstration of beauty tips by a rep from the Revlon cosmetics company. The Revlon Girl premiered at the Edinburgh Festival in 2017, followed by a run at the Park Theatre in London, where it won the Off West-End Award for Best New Play. We’re joined by the play’s author, Neil Anthony Docking, to talk about his heartrending and funny play.

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003 – Endgame, by Samuel Beckett

003 – Endgame, by Samuel Beckett

Photo © Manuel Harlan

Following the recent revival at the Old Vic in London starring Daniel Radcliffe and Alan Cumming. we explore the method, meaning and impact of Beckett’s startlingly original play with Beckett expert, Dr Matthew McFrederick, Lecturer in Theatre at the University of Reading.

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