Welcome …

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Latest Episode

038 – Macbeth, by William Shakespeare

038 – Macbeth, by William Shakespeare

Macbeth is a tragedy of love, ambition and betrayal, propelled by relentless energy and shocking violence, and infused by an air of the supernatural. Professor Emma Smith from Hertford College, Oxford, joins us to explore Shakespeare’s notorious ‘Scottish play’.

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Last Time

037 – Blue/Orange, by Joe Penhall

037 – Blue/Orange, by Joe Penhall

Joe Penhall’s explosive and unsettling play Blue/Orange addresses issues of mental illness, racial prejudice and interpersonal power. I’m delighted to be joined in this episode by the playwright Joe Penhall and by James Dacre, the director of the 20th anniversary production of the play.

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Recent Episodes

032 – Footnotes Volume 3

032 – Footnotes Volume 3

Footnotes Volume 3 is a recording of the facts and observations that we’ve published on the website to supplement the plays that we’ve covered in episodes 24-31. A smorgasbord of trivia and analysis ranging from Greek Tragedy to the stock characters of Commedia dell’Arte , through the music of Bob Dylan, the filming of Caryl Churchill’s Escaped Alone during lockdown, and the theatrical installations of Samuel Beckett.

A compendium of dramatic intelligence!

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031 – Happy Days by Samuel Beckett

031 – Happy Days by Samuel Beckett

Samuel Beckett’s third great dramatic masterpiece Happy Days is a timeless exploration of existential threat and personal survival. It’s central image of Winnie buried in a mound of scorched earth also speaks to our own time when many have endured enforced confinement in a world struck by collective disaster.

Irish actress and Beckett scholar Lisa Dwan, fresh from her triumphant performance as Winnie at the Riverside Studios in London, joins us to share her unique experience of playing Beckett and this majestic play.

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030 – Escaped Alone by Caryl Churchill

030 – Escaped Alone by Caryl Churchill

Caryl Churchill’s stunning play Escaped Alone presents an ordinary scene of four women of a certain age chatting over tea in a suburban garden. Of course not all is as tranquil as it appears, for each of the women harbour dark personal anxieties, and from time to time one of them steps away from the garden to share news with us about apocalyptic disasters that have struck the world. Produced at the Royal Court in 2016, Churchill’s vision of a world overcome by collective disaster has proved to be extraordinarily prophetic. Joining me to explore our first Churchill play is Professor Elaine Aston, author of a monograph on Caryl Churchill as well as the editor of the Cambridge Companion to Caryl Churchill.

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Footnotes

Medea – Footnotes

Medea – Footnotes

The Footnotes to our episode on Medea include further observations on the danger a woman like Medea represented to the men of ancient Athens, and the emotional experience Greek tragedy exacts.

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Consent – Footnotes

Consent – Footnotes

The Footnotes to our episode on Nina Raine’s play Consent include observations on the ritualised performance of barristers in the courtroom, the resonances of Greek tragedy in the characters’ modern-day dramas, and the epistemology of intent or how they don’t know why they do what they do.

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Shook – Footnotes

Shook – Footnotes

My Footnotes to our episode on Shook include more observations on our prejudices against people from different classes or circumstances, parenting as empathy, and the heartbreak of long-distance childbirth.

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The Glass Menagerie – Footnotes

The Glass Menagerie – Footnotes

Our Footnotes to The Glass Menagerie include Tennessee Williams’ innovative ideas about lighting as an element of what he called his “plastic drama”; the endearing ambiguity of the character of Jim, the gentleman caller; the infinite distance of memory; and the explosive times the play was written and set in.

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Who’s Afraid of Virginia Woolf – Footnotes

Who’s Afraid of Virginia Woolf – Footnotes

Who’s Afraid of Virginia Woolf is such a rich play that we have a lots of Footnotes to supplement our episode on the play. These include more on the origins and meaning of the famous title; some play-by-play analysis of George and Martha’s battle; the symbolic contrast between history and biology which George and Nick represent; the absence of model parents, or children at all; the thrill of the play’s language; and the censors who took offense at this “filthy play”. 

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Recent Posts

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Your host …

I’m Douglas Schatz, founder and host of The Play Podcast.

I had the great privilege to work for a number of years as the Managing Director of Samuel French, the renowned play publishers and theatrical licensing agent. I was lucky enough to be able to read plays and go to the theatre, and call it work. One of the most rewarding parts of my job was the time spent talking in depth with writers, directors, agents, and colleagues about plays. We talked endlessly about plays.

The idea for The Play Podcast is to continue those conversations. To talk in depth about a play, more than you will find in the reviews of a single production. To look at the origins of the play, its plot, themes, characters, and structure. To consider it in the context of the playwright’s life and times, its place in the dramatic canon, and its current and enduring relevance.

Each episode focuses on a single play, or perhaps very occasionally two, to talk about for up to an hour with one or more of our expert guests. We will often choose a play that is live on stage somewhere in the UK, which gives us and listeners the added opportunity to see and review a current production. This is not a review show though, because we are interested in the play itself. We want you to enjoy listening whether or not you are able to see a particular production, and whenever you find us.
Please feel free to contact us at plays@theplaypodcast.com with your comments on our conversations, and with suggestions about plays that you recommend that we could explore on the podcast.

You can email us at plays@theplaypodcast.com

Suggest a play

We’re always open to suggestions about plays to talk about, so if you’d like us to discuss a favourite of yours, please email us at plays@theplaypodcast.com. Let us know why you think we should cover it, and if you know anyone who’d be excited and qualified to talk about it with us (even yourself if modesty permits!).

Plays suggested for discussion by our Guests and Listeners - which gets your vote?
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