Welcome …

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Latest Episode

032 – Footnotes Volume 3

032 – Footnotes Volume 3

Footnotes Volume 3 is a recording of the facts and observations that we’ve published on the website to supplement the plays that we’ve covered in episodes 24-31. A smorgasbord of trivia and analysis ranging from Greek Tragedy to the stock characters of Commedia dell’Arte , through the music of Bob Dylan, the filming of Caryl Churchill’s Escaped Alone during lockdown, and the theatrical installations of Samuel Beckett.

A compendium of dramatic intelligence!

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Last Time

031 – Happy Days by Samuel Beckett

031 – Happy Days by Samuel Beckett

Samuel Beckett’s third great dramatic masterpiece Happy Days is a timeless exploration of existential threat and personal survival. It’s central image of Winnie buried in a mound of scorched earth also speaks to our own time when many have endured enforced confinement in a world struck by collective disaster.

Irish actress and Beckett scholar Lisa Dwan, fresh from her triumphant performance as Winnie at the Riverside Studios in London, joins us to share her unique experience of playing Beckett and this majestic play.

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Recent Episodes

024 – Consent, by Nina Raine

024 – Consent, by Nina Raine

The main characters in Nina Raine’s play Consent are barristers contesting a brutal rape case. As the case unfolds the lawyers’ marriages come unravelled and they themselves cross the line of honour or even of the law. Consent explores some of the most charged issues of our time: the sources of sexual betrayal and violence, the ambiguities of consent, and the failings of the justice system to account proportionally or sensitively with cases of sexual abuse. I am delighted and honoured to be joined in this episode by the author of Consent, Nina Raine, and by actor Adam James, who appeared in the National Theatre production in the role of Jake.

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023 – Footnotes Volume 2

023 – Footnotes Volume 2

Footnotes Volume 2 is a selection of facts and observations culled from the library of information that we’ve compiled to accompany each of the plays in the past ten episodes. These include fascinating bits of trivia as well as more extended exploration of specific aspects of the plays. A smorgasbord of dramatic intelligence befitting of the best kind of Footnote.

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022 – Shook, by Samuel Bailey

022 – Shook, by Samuel Bailey

Samuel Bailey’s play Shook is set in a young offenders institution, where three young men are taking an unlikely vocational class in parenting skills. The three teenagers are, or are about to be, fathers. Shook won the 2019 Papatango New Writing Prize, and is a funny, sharp, and deeply moving play. I’m delighted to be joined by the play’s author Sam Bailey and by the director of the debut production, Papatango Artistic Director, George Turvey.

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Footnotes

Death of a Salesman – Footnotes

Death of a Salesman – Footnotes

The Footnotes to our Death of a Salesman episode cover the title of the play, the real life salesman in Miller’s family, why Happy likes bowling, more on fathers and sons and the fluid form of the play, and Willy’s pastoral dream.

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Beginning – Footnotes

Beginning – Footnotes

Our Footnotes to the episode on Beginning include observations on what the epigraphs signal about the play, measuring ourselves on the property ladder, the language of sex, and how standing in your underwear is the ultimate honesty.

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Albion – Footnotes

Albion – Footnotes

Our Footnotes to the episode on Albion include observations on the echoes of Chekhov, Hidcote garden, being lady of the manor, having a purpose in life, the ‘beholders’ share’, and Claire Foy’s mother.

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The Deep Blue Sea – Footnotes

The Deep Blue Sea – Footnotes

More observations on The Deep Blue Sea following our conversation with Dan, including playing Hester with “no clothes on”, trading Shakespearean quotes on Love and Lust, the unimportance of “the physical side, objectively speaking”, and the whereabouts of a shilling coin.

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Lungs – Footnotes

Lungs – Footnotes

More observations about the play and the Old Vic In Camera performance with Claire Foy and Matt Smith that was broadcast live from 26th June 2020.

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Recent Posts

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Your host …

I’m Douglas Schatz, founder and host of The Play Podcast.

I had the great privilege to work for a number of years as the Managing Director of Samuel French, the renowned play publishers and theatrical licensing agent. I was lucky enough to be able to read plays and go to the theatre, and call it work. One of the most rewarding parts of my job was the time spent talking in depth with writers, directors, agents, and colleagues about plays. We talked endlessly about plays.

The idea for The Play Podcast is to continue those conversations. To talk in depth about a play, more than you will find in the reviews of a single production. To look at the origins of the play, its plot, themes, characters, and structure. To consider it in the context of the playwright’s life and times, its place in the dramatic canon, and its current and enduring relevance.

Each episode focuses on a single play, or perhaps very occasionally two, to talk about for up to an hour with one or more of our expert guests. We will often choose a play that is live on stage somewhere in the UK, which gives us and listeners the added opportunity to see and review a current production. This is not a review show though, because we are interested in the play itself. We want you to enjoy listening whether or not you are able to see a particular production, and whenever you find us.
Please feel free to contact us at plays@theplaypodcast.com with your comments on our conversations, and with suggestions about plays that you recommend that we could explore on the podcast.

You can email us at plays@theplaypodcast.com

Suggest a play

We’re always open to suggestions about plays to talk about, so if you’d like us to discuss a favourite of yours, please email us at plays@theplaypodcast.com. Let us know why you think we should cover it, and if you know anyone who’d be excited and qualified to talk about it with us (even yourself if modesty permits!).

Plays suggested for discussion by our Guests and Listeners - which gets your vote?
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