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110 – Our Town by Thornton Wilder

110 – Our Town by Thornton Wilder

Michael Sheen as the Stage Manager
Our Town
Welsh National Theatre
January to March 2026
Photo by Helen Murray

110 – Our Town by Thornton Wilder

Playwright Edward Albee described Thornton Wilder’s Our Town as “the greatest American play ever written.” In fact Wilder’s quintessential portrait of rural America in a bygone time has somehow transcended its iconic American setting to become a universal meditation on mortality, community, and how we live our individual lives, wherever that may be. The play has been glibly dismissed by some as sentimental and parochial, but its grip is not just emotionally irresistible, it is unexpectedly profound, deepened by its surprisingly radical form and its provocative philosophical themes.  As the critic John Lahr put it, the play manages to conjure both “the commonplace and the cosmic”.

Our Town opened on Broadway in February 1938, to mixed critical response but enthusiastic audiences. Its popularity was confirmed by immediate exceptional demand from professional and amateur companies for rights to perform the play – and it has been a staple of school, amateur and stock performance ever since. In fact, according to Lahr writing in the introduction to the Penguin edition of the play, “the play is performed somewhere in the world every day.”

As we record this episode, a new production of the play by the Welsh National Theatre has recently completed sell-out runs in Cardiff, Swansea and London, with Michael Sheen headlining as the Stage Manager, a role that has been performed by Wilder himself, as well as by all-American icons such as Henry Fonda, Paul Newman and Aan Alda.

I’m delighted to be able to add Our Town to The Play Podcast catalogue, and I’m privileged to be joined by someone who knows it exceptionally well. Howard Sherman is the author of “Another Day’s Begun – Thornton Wilder’s Our Town in the 21st Century, in which he not only gives a brief introduction to the origins of the play, but also collates more than 100 personal interviews with theatre artists who have performed in, or produced, the play. The voices of these practitioners provide a fascinating insight into the workings of the play, as well as being a moving tribute to its enduring power.

 

Howard Sherman

Howard Sherman is the author of Another Day’s Begun: Thornton Wilder’s Our Town in the 21st Century, which was published in January 2021 by Methuen Drama.

As a writer, since 2012 he has been the US columnist and feature writer for The Stage newspaper in London. He was a contributing editor at Stage Directions magazine and a contributing writer at Encore Monthly, and has contributed articles to American Theatre Magazine, National Public Radio, The New York Times, The Wall Street Journal, The Los Angeles Times, and The Guardian.

Howard is presently the managing director of the Baruch Performing Arts Center at Baruch College in Manhattan, a position he has held since March 2022. Previous positions include: Director of the Arts Integrity Initiative at the New School for Drama; Interim Director of the Alliance for Inclusion in the Arts in New York; Executive Director of the American Theatre Wing; Executive Director of the Eugene O’Neill Theater Center in Waterford CT; Managing Director of Geva Theater in Rochester.

Howard has taught and/or guest lectured at the Yale School of Drama, Columbia University, Princeton University, North Carolina School of the Arts, Emerson College, Brooklyn College, Hartt School of Music, SUNY Purchase and University of Connecticut. He also served for several years as an on-site evaluator for the National Endowment for the Arts.

Recommended Play

Howard recommended This Story of Yours by John Hopkins.

Photo © Marc Brenner
We have footnotes for this episode …

The Footnotes that accompany our episode on Thornton Wilder’s American classic Our Town include additional notes on Wilder’s approach to staging, his theme of the archaeology of history, and the sacramental tone and message of the play.

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113 – Arcadia by Tom Stoppard

113 – Arcadia by Tom Stoppard

Published 24th August

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112 – Glengarry Glen Ross by David Mamet

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As we recorded this episode a new production of the play was playing at the Old Vic theatre in London, with an all-female cast. This is a particularly provocative idea, because one of the primary themes of this play is masculine identity, and the salesmen in this Chicago office do not hold back in their display of machismo.

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111 – The Resistible Rise of Arturo Ui by Bertolt Brecht

111 – The Resistible Rise of Arturo Ui by Bertolt Brecht

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As we recorded this episode a new production of the play by the Royal Shakespeare Company was playing in Stratford-upon-Avon, starring Mark Gatiss as the title character.

I am delighted to be joined by both the show’s translator, playwright Stephen Sharkey, and by Brecht scholar, Professor Tom Kuhn, to guide us through Brecht’s political parody.

Howard Sherman

Howard Sherman

Howard Sherman

Howard Sherman is the author of Another Day’s Begun: Thornton Wilder’s Our Town in the 21st Century, which was published in January 2021 by Methuen Drama.

As a writer, since 2012 he has been the US columnist and feature writer for The Stage newspaper in London. He was a contributing editor at Stage Directions magazine and a contributing writer at Encore Monthly, and has contributed articles to American Theatre Magazine, National Public Radio, The New York Times, The Wall Street Journal, The Los Angeles Times, and The Guardian.

Howard is presently the managing director of the Baruch Performing Arts Center at Baruch College in Manhattan, a position he has held since March 2022. Previous positions include: Director of the Arts Integrity Initiative at the New School for Drama; Interim Director of the Alliance for Inclusion in the Arts in New York; Executive Director of the American Theatre Wing; Executive Director of the Eugene O’Neill Theater Center in Waterford CT; Managing Director of Geva Theater in Rochester.

Howard has taught and/or guest lectured at the Yale School of Drama, Columbia University, Princeton University, North Carolina School of the Arts, Emerson College, Brooklyn College, Hartt School of Music, SUNY Purchase and University of Connecticut. He also served for several years as an on-site evaluator for the National Endowment for the Arts.

Recommended Play(s)

Howard recommended This Story of Yours by John Hopkins.