Photograph: Helen Maybanks
007 – Lungs, by Duncan Macmillan
A young couple navigate the age-old debate of whether or when to embark on having a baby. They are naturally worried about their personal responsibilities, but most topically they are also concerned about the impact that their adding to the global population will have on the world’s climate and future.
Duncan Macmillan’s award-winning play written in 2011, was revived at the Old Vic in 2019 with Claire Foy and Matt Smith conducting the debate. They will shortly reprise their roles via the Old Vic’s innovative in Camera live stream for a limited run from 26th June. Joining us to review the ongoing debate is George Spender, former editorial director at Oberon Books who publish Lungs and the playwright’s other plays.
George Spender, was the Editorial Director at specialist drama publisher, Oberon Books, where he was responsible for publishing many of the leading British playwrights of the past decade, including Laura Wade, Tanika Gupta, Lemn Sissay, Simon Stone, Robert Icke, Barney Norris, Alice Birchall, among hundreds of others.
Most importantly for our episode, Oberon publish all of Duncan Macmillan’s plays, including Lungs. More recently George has worked for the Edinburgh International Festival and the Bristol Old Vic Theatre School, and has launched a new publishing company, called Salamander Street, which specialises in new dramatic writing and theatre in education.
George recommended Mr Burns by Anne Washburn.
We have footnotes for this episode …
More observations about the play and the Old Vic In Camera performance with Claire Foy and Matt Smith that was broadcast live from 26th June 2020.
BECOME A PATRON!
Since I launched The Play Podcast in April 2020, I have managed to eschew any form of advertising or sponsorship, and I would like to continue to produce the podcast without doing so. I therefore invite you to help me to continue to make the podcast by becoming a Patron.
Additional benefits available to Patrons include Footnotes on the plays covered in the podcast, as well as exclusive access to The Play Review.
For details click here
Thank you very much for listening and for your support.
If you are interested in buying the play text or other related books, we’d be delighted if you choose to purchase them by following the links below. We will earn a small commission on every book you purchase, which helps to keep the podcast going. You will also be supporting an independent bookseller. Thank you.
You might also be interested in …
Published 4th December
Lynn Nottage’s play Clyde’s is set in a truck-stop diner on the outskirts of Reading, Pennsylvania. This is no ordinary diner though, because the short-order cooks that make the sandwiches that the diner is famous for are all ex-cons. But the eponymous proprietor, Clyde, has not offered these characters a second chance out of the softness of her heart.
Lynn Nottage has won the Pulitzer Prize for drama twice, and as we record this episode the European preview of Clyde’s is on stage at the Donmar Warehouse in London. I am delighted to be joined by the show’s director Lynette Linton, who also directed Nottage’s last play Sweat at the same theatre in 2018.
The poet Percy Shelley called King Lear “the most perfect specimen of the dramatic art existing in the world”. It is a prodigious play in every sense. There are ten major roles, it has multiple significant plot lines, an elemental stormy setting, intense domestic conflict, and acts of war and violence which roll on with a propulsive tragic energy and conjure a challenging philosophical vision.
As we record this episode a new production directed by and starring Sir Kenneth Branagh arrives in London’s West End.
I am very pleased to be joined in this episode by Paul Prescott, who is an academic, writer and theatre practitioner specialising in Shakespearean drama.
Arthur Miller’s A View from the Bridge tells the tragic story of Eddie Carbone, a longshoreman who works on the docks under Brooklyn Bridge. Eddie lives with his wife Beatrice and 17-year old niece, Catherine, whom they have cared for since she was a child. But Catherine is no longer a child, and her natural desire to pursue her own life will tragically rupture the lives of this family and the close-knit immigrant community of Red Hook.
As we record this episode a new production of A View from the Bridge is touring the UK, and I’m delighted to talk with its director, Holly Race Roughan, about this powerful play.