Photograph: Helen Maybanks

007 – Lungs, by Duncan Macmillan

Jun 25, 2020 | Podcast Episodes | 0 comments

A young couple navigate the age-old debate of whether or when to embark on having a baby. They are naturally worried about their personal responsibilities, but most topically they are also concerned about the impact that their adding to the global population will have on the world’s climate and future.

Duncan Macmillan’s award-winning play written in 2011, was revived at the Old Vic in 2019 with Claire Foy and Matt Smith conducting the debate. They will shortly reprise their roles via the Old Vic’s innovative in Camera live stream for a limited run from 26th June. Joining us to review the ongoing debate is George Spender, former editorial director at Oberon Books who publish Lungs and the playwright’s other plays.

George Spender

George Spender, was the Editorial Director at specialist drama publisher, Oberon Books, where he was responsible for publishing many of the leading British playwrights of the past decade, including Laura Wade, Tanika Gupta, Lemn Sissay, Simon Stone, Robert Icke, Barney Norris, Alice Birchall, among hundreds of others.

Most importantly for our episode, Oberon publish all of Duncan Macmillan’s plays, including Lungs. More recently George has worked for the Edinburgh International Festival and the Bristol Old Vic Theatre School, and has launched a new publishing company, called Salamander Street, which specialises in new dramatic writing and theatre in education.

The Texts

If you are interested in buying the play text or other related books, we’d be delighted if you choose to purchase them by following the links below. We will earn a small commission on every book you purchase, which helps to keep the podcast going. You will also be supporting an independent bookseller. Thank you.

Photo © Marc Brenner

We have footnotes for this episode …

More observations about the play and the Old Vic In Camera performance with Claire Foy and Matt Smith that was broadcast live from 26th June 2020.

0 Comments

Submit a Comment

Your email address will not be published. Required fields are marked *

Suggest a play

We’re always open to suggestions about plays to talk about, so if you’d like us to discuss a favourite of yours, please email us at plays@theplaypodcast.com. Let us know why you think we should cover it, and if you know anyone who’d be excited and qualified to talk about it with us (even yourself if modesty permits!).

Plays suggested for discussion by our Guests and Listeners - which gets your vote?
  • Add your own suggestion

You might also be interested in …

035 – Our Country’s Good by Timberlake Wertenbaker

035 – Our Country’s Good by Timberlake Wertenbaker

It is 1789 and a group of convicts in the newly-founded colony of Botany Bay in Australia are assembled to put on a production of George Farquhar’s Restoration Comedy The Recruiting Officer. The true story of this unlikely theatrical enterprise is the subject of Timberlake Wertenbaker’s award-winning play, Our Country’s Good, which premiered at the Royal Court Theatre in 1988 almost exactly 200 years after the events it portrays. The play is a vivid portrait of the volatile new settlement in New South Wales, which raises timeless questions about what makes for a country’s good: the exercise of justice, the iniquities of class, the value of education and culture, and particularly of the redemptive power of theatre itself.

It made complete logical sense to follow our last episode on The Recruiting Officer with this wonderful play, and even more sense to invite Director Matt Beresford back to talk us through it.

034 – The Recruiting Officer by George Farquhar

034 – The Recruiting Officer by George Farquhar

George Farquhar’s rollicking Restoration Comedy The Recruiting Officer is ostensibly a portrait of officers engaged in the nefarious art of impressing men into the army in the country town of Shrewsbury, but it is as much a tale of the local ladies themselves recruiting for lovers and husbands. The classic comic satire of love and war, and sex and deception was first performed at Drury Lane in 1706, and went on to become one of the most frequently performed plays of the 18th century and a staple of education curricula and theatre programming ever since.
Director Matt Beresford joins us to assess the ‘recruiting officers” respective strategies and successes.

033 – Leopoldstadt by Tom Stoppard

033 – Leopoldstadt by Tom Stoppard

Tom Stoppard’s ambitious new play Leopoldstadt is a sweeping work of history and ideas which charts the diaspora and decline of an Austrian Jewish family through the convulsive events of the first half of the twentieth century. It addresses profound moral questions of identity, memory and prejudice that are insistently relevant in our time. It is not only a towering intellectual achievement, it is also very personally poignant because it is based partly on Stoppard’s own remarkable family history.

Leopoldstadt opened in the West End in January 2020, only to be closed prematurely by the pandemic a few weeks later. Happily it has returned to the London stage this Autumn, and I am privileged and delighted to talk in this episode with the director of the London productions, playwright Patrick Marber.

Recent Posts 

The 2020 Theatre Diary – March

The 2020 Theatre Diary – March

Before the theatres went dark this month I was lucky enough to see Caryl Churchill’s A Number at the Bridge, and spend more than seven hours in thrall to Robert Lepage’s Seven Streams of the River Ota at the National. Plus, some thoughts on what we miss when there is no theatre.

The 2020 Theatre Diary – January

The 2020 Theatre Diary – January

The January roundup included both classic plays, such as The Duchess of Malfi, Uncle Vanya and Three Sisters, as well as recent musicals Dear Evan Hansen and Girl from the North Country