020 – Who’s Afraid of Virginia Woolf, by Edward Albee
The controversial play opened on Broadway in 1962, and it was greeted by both moral outrage – one reviewer labelling it “a sick play for sick people” – as well as critical acclaim: “the most shattering drama since O’Neill’s Long Day’s Journey into Night. Both types of review contributed to its run-away box-office success, the play running for 664 performances, and famously attracting the interest of Hollywood, the 1996 film version with Richard Burton and Elizabeth Taylor winning five Academy awards.
Joining me to survey the damage of this blistering marital battle are John Mitchinson and Andy Miller, the co-hosts of the award-winning podcast Backlisted, which as its strap line declares “gives new life to old books”.
020 Bonus – Who’s Afraid of Virginia Woolf – the film
One Podcast Two Plays! Carlo Goldoni’s Commedia dell’Arte classic A Servant to Two Masters and Richard Bean’s hilarious update One Man Two Guvnors. We explore all of the ingredients of the original play in the tradition of Commedia dell’Arte, as well as how Bean translated these so successfully into his smash hit at the National Theatre. Writer and director Justin Greene joins me to sample this multi-course theatrical banquet. (Commedia afficionados will appreciate the gourmet references!).
The dramatic tragedy of a wife who murders her own two sons in a desperate act of grief and revenge remains as disturbing and deeply moving as when it was written nearly 2,500 years ago. Medea by Euripides is timeless not only because of our fascination with Medea’s horrific crime, but for the poetry of its language, and its unflinching portrayal of a woman all but powerless in a patriarchal world. The play was recently revived at the National Theatre with a stunning performance by Helen McCrory in the title role, which is now available to view on the National Theatre at Home. I’m joined by renowned classical scholar Edith Hall to explore our enduring fascination with Medea.
The main characters in Nina Raine’s play Consent are barristers contesting a brutal rape case. As the case unfolds the lawyers’ marriages come unravelled and they themselves cross the line of honour or even of the law. Consent explores some of the most charged issues of our time: the sources of sexual betrayal and violence, the ambiguities of consent, and the failings of the justice system to account proportionally or sensitively with cases of sexual abuse. I am delighted and honoured to be joined in this episode by the author of Consent, Nina Raine, and by actor Adam James, who appeared in the National Theatre production in the role of Jake.
Before the theatres went dark this month I was lucky enough to see Caryl Churchill’s A Number at the Bridge, and spend more than seven hours in thrall to Robert Lepage’s Seven Streams of the River Ota at the National. Plus, some thoughts on what we miss when there is no theatre.
Another great mix of shows this month, from Tom Stoppard’s new play, to Ibsen, Beckett and newer plays in smaller London venues.
The January roundup included both classic plays, such as The Duchess of Malfi, Uncle Vanya and Three Sisters, as well as recent musicals Dear Evan Hansen and Girl from the North Country …