023 – Footnotes Volume 2

Mar 25, 2021 | Podcast Episodes | 0 comments

This episode is a collection of Footnotes on the plays that we’ve talked about in the past ten episodes. During the course of my researches and conversations with my guests there is all sorts of material that fails to reach the final podcasts, either because we simply didn’t have time to talk about it during the recording, or it was too trivial or too much of a digression to fit into the flow of our conversation. I felt after our very first episode that it would be a shame to leave these facts and observations on the cutting room floor, so I started publishing these Footnotes on the website to accompany each episode.

This episode is a selection of Footnote highlights strung together; a smorgasbord of titbits of information and more extended exploration of specific aspects of each of the past 10 plays we’ve covered. Examples include:

  • Arthur Miller’s real-life source for the character of Willy Loman in Death of a Salesman
  • The horror of the Zong massacre of 1781 that inspired JMW Turner and Winsome Pinnock in Rockets and Blue Lights
  • The disappearing set in Florian Zeller’s The Father
  • How the Senate Committee hearings into the appointment of Supreme Court judge Clarence Thomas in 1991 sparked David Mamet to return to finish writing Oleanna
  • Samples of the vivid Metaphysical poetry in The Duchess of Malfi
  • Quantum mechanics metaphors in Michael Frayn’s Copenhagen
  • What do comets signify in The Welkin?
  • “Martha and I are merely exercising…what’s left of our wits” – George and Martha’s epic battle in Who’s Afraid of Virginia Woolf
  • How Tennessee Williams creates his ‘sculptural drama’ with light in The Glass Menagerie
  • “Parenting is empathy” – a lesson to learn in Samuel Bailey’s Shook

And much much more… A compendium of dramatic intelligence befitting of the best kind of Footnote.

Note: this episode contains strong language.

0 Comments

Submit a Comment

Your email address will not be published.

You might also be interested in …
046 – All My Sons, by Arthur Miller

046 – All My Sons, by Arthur Miller

Arthur Miller’s breakthrough play All My Sons is both a searing family tragedy and an exploration of the moral challenges that Miller believed were inherent in the American Dream. Douglas Rintoul has recently directed a wonderful production of this devastating play at the Queen’s Theatre in Hornchurch.

045 – Top Girls, by Caryl Churchill

045 – Top Girls, by Caryl Churchill

Caryl Churchill’s play Top Girls was a powerful critique of Thatcherite Britain when it was written in 1982. It’s rightly renowned for its theatrical invention and innovative structure, and remains relevant for its enduring questions about the opportunities, and opportunity costs, for women across the ages. Professor Elaine Aston joins me to survey this modern classic.

044 – Clybourne Park, by Bruce Norris

044 – Clybourne Park, by Bruce Norris

It is 1959 and Russ and Bev have sold their 3-bedroom bungalow in the all-white neighbourhood of Clybourne Park in Chicago to a “coloured family”. The sale sparks heated debate between neighbours in Bruce Norris’s Pulitzer Prize winning play Clybourne Park. Oliver Kaderbhai, director of the current revival at the Park Theatre in London, joins me to discuss this provocative and corruscatingly funny play.