006 – Betrayal, by Harold Pinter

Jun 11, 2020 | Podcast Episodes | 0 comments

Pinter’s modern classic dissects the dynamics of betrayal in marriage, friendship and work. The ambiguities of the adulterous affair that is the core of the play are made all the more unsettling by the innovative chronology of the narrative: the play famously opens with the end of the affair and works backwards to its inception.

Joining us to mine the depths of Pinter’s compressed masterpiece is Mark Taylor-Batty, senior lecturer in Theatre Studies at the University of Leeds and author of The Theatre of Harold Pinter (Bloomsbury 2014).

Dr. Mark Taylor-Batty

Mark is a senior lecturer in Theatre Studies at Leeds University. His key areas of interest include the career of Harold Pinter, the theatricality of Samuel Beckett, and twentieth-century French and British theatre. He is a co-editor of the Methuen Drama Engage series of books, and most appropriately for our purposes he is the author of two books on Harold Pinter: The Theatre of Harold Pinter (published by Bloomsbury) and About Pinter: The Playwright and The Work (published by Faber and Faber). He is also a Director of the Harold Pinter Society.

The Texts

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Photo © Marc Brenner

We have footnotes for this episode …

These footnotes are a follow-up to our live discussion in episode five of the podcast, including a selection of points from my researches that we didn’t happen to include, as well as follow-up on any facts and questions that came up during our conversation with Tim.

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