Kenneth Cranham and Claire Skinner
in The Father at the Tricycle Theatre, London
c Simon Annand
015 – The Father, by Florian Zeller, translated by Christopher Hampton
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Florian Zeller’s award-winning play The Father presents a piercing portrait of a family living with dementia. Anyone who has witnessed the cruel effects of the disease will recognise painful truths in the portrayal of the father, Andre, and his daughter, Anne as they struggle to navigate the practical and emotional challenges. The play gains its unsettling power not just from the accuracy of its observations, but also from its inventive dramatic form, where the unities of time and space are disrupted in a way that results in our vicariously experiencing Andre’s mental confusion.
The Father premiered in Paris in 2012, winning the 2014 Moliere Award for Best Play. It translated into English by Christopher Hampton and opened at the Theatre Royal Bath in 2014 before transferring to the Tricycle Theatre in London and then to the West End for two runs. It was also produced on Broadway in 2016, and has won both Olivier and Tony awards for best actor in the title role for Kenneth Cranham and Frank Langella respectively.
The Father has also been made into a feature film, directed by Florian Zeller and co-written with Christopher Hampton, and with a stellar cast including Anthony Hopkins, Olivia Coleman, Mark Gatiss, Imogen Poots, Rufus Sewell and Olivia Williams. Congratulations to Florian Zeller and Christopher Hampton who since we recorded this episode have won an Academy Award and a BAFTA for Best Adapted Screenplay for The Father!
I’m delighted and honoured to welcome none other than Sir Christopher Hampton as my guest on this episode of the podcast.
Sir Christopher Hampton
Sir Christopher is a renowned playwright and screenwriter whose plays have so far garnered four Tony Awards, three Oliviers, and five Evening Standard awards. His work for film and television has won him an Oscar for the screenplay based on his play Les Liaisons Dangereuse, and for The Father, which he adapted with Florian Zeller. He has also won two BAFTAs, a special jury award at Cannes, the Prix Italia and a Writers’ Guild of America. Space will not permit us to list all of his work, other than to reference a few notable titles from his own plays, which include Total Eclipse, The Philanthropist, and Tales from Hollywood, translations of classics from Ibsen, Chekhov, Moliere, as well as Yasmina Reza’s God of Carnage and Art. His screenplays include Carrington, The Quiet American, and Atonement, for which he received another Oscar nomination.
In addition to The Father he has translated no fewer than four more of Florian Zeller’s plays, including The Mother, The Son, The Truth, The Lie, and The Height of the Storm.
Sir Christopher was knighted in the New Year’s Honours list in January 2020 for services to drama.
Recommended Play
Sir Christopher recommended The Wild Duck by Henrik Ibsen.
Photo by Jill Furmanovsky
Our brief Footnotes to our episode on The Father expand on the subjects of the changing set in the play, and the significance of Andre’s watch.
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Douglas
067 – Red Pitch by Tyrell Williams
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Tyrell William’s award-winning, debut play Red Pitch is set on an inner-city football pitch in South London. It is a coming-of-age story, with teenage boys fighting to believe in their dreams, and to find a way up, and perhaps out, of their changing community. The play premiered at the Bush Theatre in London in February 2002, winning several awards, and is currently enjoying a sell-out revival at the Bush.
Tyrell Williams, and the show’s director, Daniel Bailey, join me to explore this joyful and poignant new play.
Photo by Helen Murray.
066 – The Pillowman by Martin McDonagh
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Martin McDonagh’s 2004 play The Pillowman is an unsettling mix of gruesome fairy tales, child abuse, and murder, overlaid with McDonagh’s signature black humour. McDonagh’s blend of extreme violence and ironic comedy divides opinion, although the popularity of the current revival of the play in London’s West End is testimony to its enduring fascination.
I am joined in this episode by Professor Eamonn Jordan, to help us come to terms with the impact and intent of McDonagh’s work.
065 – Accidental Death of an Anarchist, by Dario Fo and Franca Rame
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Accidental Death of an Anarchist by Dario Fo and Franca Rame is both an hilarious farce and a biting satire. Written in 1970 as an “act of intervention” in response to the unexplained death of a prisoner in police custody in Milan, it became a huge global hit.
An acclaimed new adaptation that updates the setting and scandal to modern-day Britain is currently playing at the Theatre Royal Haymarket, and I’m delighted to be joined by its writer, Tom Basden, and the director, Daniel Raggett, to talk about their adaptation and the enduring relevance of Fo’s original.
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