Monica Dolan and Sam Spruell
in Doubt at Chichester Festival Theatre 2022
041 – Doubt – A Parable, by John Patrick Shanley
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The setting is a Catholic school in the Bronx, New York. It is 1964, a time of explosive social change that is challenging the established church. Sister Aloysius Beauvier, the principle of St Nicholas school is a no-nonsense, disciplinarian of the old school, dedicated to her duties to teach and protect the children, and obedient to her faith and the church. But she has doubts. Not about her faith or her views of the world, but about the school pastor, Father Flynn, and his relationships with the boys in the school, or more specifically with one boy: 12-year-old Donald Muller, who has only recently arrived at St Nicholas and happens to be the first and only black child in the school. Sister Aloysius is determined to air her doubts and pursues a sequence of enquiries that rocks the school community as well as her own certainties.
This is John Patrick Shanley’s disturbing and moving play, Doubt, which in the precise psychological orchestration of the relationships between its principal characters challenges us all to question our certainties. The play was first produced off-Broadway in New York in November 2004, before transferring to Broadway in March 2005. It won the Tony Award for Best Play, as well as the Pulitzer Prize for Drama that year, and was made into a film in 2008 written and directed by the play’s author and starring Meryl Streep, Philip Seymour Hoffman, Amy Adams and Viola Davis. As we record this episode it is being revived at the Chichester Festival Theatre with Monica Dolan, Sam Spruell, Jessica Rhodes and Rebecca Scroggs delivering stunning performances.
I am delighted to be joined by Monica Dolan, who shares her insights from playing Sister Aloysius in the Chichester production.
Monica Dolan
Monica Dolan is an Olivier and Bafta award-winning actor, whose work spans television, film and stage. She won the Olivier Award for Best Supporting Actress in the 2019 West End production of All About Eve, a Bafta Award for her unforgettable performance as Rosemary West in Appropriate Adult on ITV in 2011, and a Bafta nomination for Best Supporting Actress in A Very English Scandal alongside Hugh Grant.
Her recent work in theatre includes Doubt at the Chichester Festival Theatre, The Shrine for the Talking Heads Series at The Bridge, and Brandon Jacobs-Jenkins’ critically acclaimed Appropriate and The Same Deep Water as Me, both at the Donmar Warehouse. Television highlights include Alan Bennett’s Talking Heads, Black Mirror, The Witness for the Prosecution, The Casual Vacancy and W1A. Recent feature films include Days of the Bagnold Summer, The Dig, Rialto, Official Secrets , Eye in the Sky, Pride and The Falling. Monica also wrote and starred in her own play The B*easts, which transferred to the Bush Theatre in London after an award-winning run at the Edinburgh Festival.
Recommended Play
Monica recommended:
Appropriate by Branden Jacob-Jenkins, and,
Clybourne Park by Bruce Norris
The Footnotes to our episode on Doubt include observations on the cat and mouse duel between Sister Aloysius and Father Flynn, and the journey for Sister James from innocence to doubt and confusion.
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063 – Dancing at Lughnasa, by Brian Friel
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Brian Friel’s magical memory play Dancing at Lughnasa is set at the time of the harvest festival in rural Ireland in 1936. It’s account of the events of that summer in the house of the five unmarried Mundy sisters is filtered many years later through the memory of Michael, the son of the youngest sister. His memory is undoubtedly unreliable, but it is also funny, poetic and profoundly poignant.
Josie Rourke, who directs the gorgeous new production of the play currently playing at the National Theatre in London, joins us to explore Friel’s spellbinding masterpiece.
062 – Private Lives, by Noël Coward
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Noël Coward’s play Private Lives is both a dazzling dramatic comedy and an excoriating portrait of love and marriage among the disaffected elite of the Jazz Age. Coward himself starred in the premiere production in both London and New York in 1930, the critics acclaiming the show’s construction and wit, but predicting that it would not last. As a new production opens at the Donmar theatre in London, I ask Coward’s newest biographer, Oliver Soden, why the play has aged so well.
061 – Sea Creatures, by Cordelia Lynn
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Cordelia Lynn’s play Sea Creatures is a poetic exploration of loss and grief, its setting betwixt the sea and shore rich in metaphoric resonances. As we record this episode, Sea Creatures is playing at the Hampstead Theatre in London in a spellbinding production directed by James Macdonald.
I am delighted to be joined by playwright Cordelia Lynn to talk about her fascinating new play.
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