Monica Dolan and Sam Spruell
in Doubt at Chichester Festival Theatre 2022
041 – Doubt – A Parable, by John Patrick Shanley
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The setting is a Catholic school in the Bronx, New York. It is 1964, a time of explosive social change that is challenging the established church. Sister Aloysius Beauvier, the principle of St Nicholas school is a no-nonsense, disciplinarian of the old school, dedicated to her duties to teach and protect the children, and obedient to her faith and the church. But she has doubts. Not about her faith or her views of the world, but about the school pastor, Father Flynn, and his relationships with the boys in the school, or more specifically with one boy: 12-year-old Donald Muller, who has only recently arrived at St Nicholas and happens to be the first and only black child in the school. Sister Aloysius is determined to air her doubts and pursues a sequence of enquiries that rocks the school community as well as her own certainties.
This is John Patrick Shanley’s disturbing and moving play, Doubt, which in the precise psychological orchestration of the relationships between its principal characters challenges us all to question our certainties. The play was first produced off-Broadway in New York in November 2004, before transferring to Broadway in March 2005. It won the Tony Award for Best Play, as well as the Pulitzer Prize for Drama that year, and was made into a film in 2008 written and directed by the play’s author and starring Meryl Streep, Philip Seymour Hoffman, Amy Adams and Viola Davis. As we record this episode it is being revived at the Chichester Festival Theatre with Monica Dolan, Sam Spruell, Jessica Rhodes and Rebecca Scroggs delivering stunning performances.
I am delighted to be joined by Monica Dolan, who shares her insights from playing Sister Aloysius in the Chichester production.
Monica Dolan
Monica Dolan is an Olivier and Bafta award-winning actor, whose work spans television, film and stage. She won the Olivier Award for Best Supporting Actress in the 2019 West End production of All About Eve, a Bafta Award for her unforgettable performance as Rosemary West in Appropriate Adult on ITV in 2011, and a Bafta nomination for Best Supporting Actress in A Very English Scandal alongside Hugh Grant.
Her recent work in theatre includes Doubt at the Chichester Festival Theatre, The Shrine for the Talking Heads Series at The Bridge, and Brandon Jacobs-Jenkins’ critically acclaimed Appropriate and The Same Deep Water as Me, both at the Donmar Warehouse. Television highlights include Alan Bennett’s Talking Heads, Black Mirror, The Witness for the Prosecution, The Casual Vacancy and W1A. Recent feature films include Days of the Bagnold Summer, The Dig, Rialto, Official Secrets , Eye in the Sky, Pride and The Falling. Monica also wrote and starred in her own play The B*easts, which transferred to the Bush Theatre in London after an award-winning run at the Edinburgh Festival.
Recommended Play
Monica recommended:
Appropriate by Branden Jacob-Jenkins, and,
Clybourne Park by Bruce Norris
The Footnotes to our episode on Doubt include observations on the cat and mouse duel between Sister Aloysius and Father Flynn, and the journey for Sister James from innocence to doubt and confusion.
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Douglas
071 – Clyde’s, by Lynn Nottage
Published 4th December
Lynn Nottage’s play Clyde’s is set in a truck-stop diner on the outskirts of Reading, Pennsylvania. This is no ordinary diner though, because the short-order cooks that make the sandwiches that the diner is famous for are all ex-cons. But the eponymous proprietor, Clyde, has not offered these characters a second chance out of the softness of her heart.
Lynn Nottage has won the Pulitzer Prize for drama twice, and as we record this episode the European preview of Clyde’s is on stage at the Donmar Warehouse in London. I am delighted to be joined by the show’s director Lynette Linton, who also directed Nottage’s last play Sweat at the same theatre in 2018.
070 – King Lear, by William Shakespeare
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The poet Percy Shelley called King Lear “the most perfect specimen of the dramatic art existing in the world”. It is a prodigious play in every sense. There are ten major roles, it has multiple significant plot lines, an elemental stormy setting, intense domestic conflict, and acts of war and violence which roll on with a propulsive tragic energy and conjure a challenging philosophical vision.
As we record this episode a new production directed by and starring Sir Kenneth Branagh arrives in London’s West End.
I am very pleased to be joined in this episode by Paul Prescott, who is an academic, writer and theatre practitioner specialising in Shakespearean drama.
069 – A View from the Bridge, by Arthur Miller
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Arthur Miller’s A View from the Bridge tells the tragic story of Eddie Carbone, a longshoreman who works on the docks under Brooklyn Bridge. Eddie lives with his wife Beatrice and 17-year old niece, Catherine, whom they have cared for since she was a child. But Catherine is no longer a child, and her natural desire to pursue her own life will tragically rupture the lives of this family and the close-knit immigrant community of Red Hook.
As we record this episode a new production of A View from the Bridge is touring the UK, and I’m delighted to talk with its director, Holly Race Roughan, about this powerful play.
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