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068 – Pygmalion, by George Bernard Shaw

068 – Pygmalion, by George Bernard Shaw

Patsy Ferran as Eliza and 
Bertie Carvel as Higgins
Pygmalion at The Old Vic Theatre
September 2023
Photo by Manuel Harlan

 

068 – Pygmalion, by George Bernard Shaw

Pygmalion is arguably George Bernard Shaw’s most famous play, partly of course because it spawned the even-more famous musical and film My Fair Lady. So many will be familiar with the story of the flower-girl, Eliza Doolittle, whom the phonetics professor Henry Higgins tutors to replace her spirited Cockney speech and character with the received pronunciation and deportment worthy of the English drawing-room. The enduring popularity of Pygmalion can be attributed to the romantic arc of its central story, and to the fact that it offers two iconic parts in the characters of Eliza and Higgins.

As we record this episode, the improbable couple are currently being played in a new production at The Old Vic theatre in London by two of our most respected stage actors, Patsy Ferran and Bertie Carvel. Shaw’s own reaction to his play’s popularity was typically contrary and immodest: “There must be something radically wrong with the play if it pleases everybody, but at the moment I cannot find what it is.” 

Well judging by its continuing popularity, there can’t be much wrong with this play, but to help me assess Shaw’s parable of social mobility I’m delighted to welcome back to the podcast our go-to Shaw expert, Ivan Wise. I was fortunate enough to talk to Ivan about the first Shaw play that we covered on the podcast, Arms and the Man, in episode 57.

Check out our review of the Old Vic production of Pygmalion here: The Play Review – Pygmalion

Ivan Wise

Ivan Wise is the editor of The Shavian, the journal of the Shaw Society, a post he returned to in 2023, having previously edited the journal for five years from 2005 to 2010. He has lectured on Shaw at the Carlow Festival in Ireland, the Shaw Festival in Canada and at Shaw’s Corner in Hertfordshire, and has written about Shaw for the Times Literary and Higher Education Supplements. He has also been an expert witness on Shaw on BBC Radio 4’s Great Lives.

Ivan also presents the podcast Better Known, which asks guests to nominate six things that they love that they think should be better known.

Recommended Play

Ivan recommended Cloud Nine by Caryl Churchill.

Photo © Marc Brenner
We have footnotes for this episode …

The Footnotes to our episode on George Bernard Shaw’s Pygmalion include an intriguing fact about a special guest at the premiere of the play, more observations on the ending of the play and what happened afterwards to Eliza, and a tribute to the genius of Alfred Doolittle.

Become a Patron!

Since I launched The Play Podcast in April 2020, I have managed to eschew any form of advertising or sponsorship, and I would like to continue to produce the podcast without doing so. I therefore invite you to help me to continue to make the podcast by becoming a Patron.
Additional benefits available to Patrons include Footnotes on the plays covered in the podcast, as well as early access to The Play Review.

For details click here

Thank you very much for listening and for your support.
Douglas

The Texts
If you are interested in buying the play text or other related books, we’d be delighted if you choose to purchase them from our selected partners Bookshop.org and Blackwell’s. Not only will you be supporting independent booksellers, we will also earn a small commission on every book you purchase, which helps to keep the podcast going. Click on the cover to buy from our chosen partner. Thank you.
You might also be interested in …
115 – The Dance of Death by August Strindberg

115 – The Dance of Death by August Strindberg

August Strindberg’s The Dance of Death is set in a remote army base on the coast of Sweden, where an army captain and his wife are trapped together in an unhappy marriage. The captain, bitter at his lack of promotion, and his wife, frustrated at having been forced to give up her career as an actress, occupy their empty hours tearing into each other in a brutal dance of mutual cruelty.

Strindberg’s scorching portrait of marital strife was written in 1900, but has had a lasting influence. Arthur Miller dubbed Strindberg, “the mad inventor of modern theatre”, and echoes of his unflinching dissection of marital discord can be seen in the plays of Edward Albee, Tennessee Williams, Eugene O’Neill, and John Osborne.

Sir Richard Eyre adapted and directed a wonderful production of Dance of Death at the Orange Tree Theatre in Richmond upon Thames earlier this year, and I am delighted that Sir Richard joins me in this episode to guide us through Strindberg’s blistering onslaught on marriage.

114 – Love’s Labour’s Lost by William Shakespeare

114 – Love’s Labour’s Lost by William Shakespeare

William Shakespeare’s Love’s Labour’s Lost is described on the title page in the first publication of its text in 1598 as “A Pleasant Conceited Comedie.” I imagine that the epithets were intended to highlight the play’s courtly aesthetic, its frothy merry-go-round of courtship, and above all perhaps, its ostentatiously intricate word play. For it is a play rich in the love and perils of language.

I am joined to assay Shakespeare’s conceited comedy by the Artistic Director of the Orange Tree Theatre in Richmond upon Thames, Tom Littler. In the summer of 2026 Tom adapted and directed a magical double bill of Shakespeare, producing Love’s Labour’s Lost and Much Ado About Nothing in repertory, and staging them both ‘en plein air’.

113 – Arcadia by Tom Stoppard

113 – Arcadia by Tom Stoppard

Tom Stoppard’s 1993 play, Arcadia, is viewed by many as his finest play, renowned for the breadth of its intellectual interrogations and its formal invention. The play is a structural masterpiece of ideas, as well as a teasing detective story, joyous comedy, and emotionally rich exploration of love and loss.

As we record this episode a wonderful new production of Arcadia is playing at the Duke of York’s theatre in London’s West End, following its acclaimed run at the Old Vic theatre earlier this year. I am delighted to share the challenge and the pleasure of exploring Stoppard’s dazzling drama with the director of the new production, Carrie Cracknell.

Ivan Wise

Ivan Wise

Ivan Wise

Ivan Wise is the editor of The Shavian, the journal of the Shaw Society, a post he returned to in 2023, having previously edited the journal for five years from 2005 to 2010. He has lectured on Shaw at the Carlow Festival in Ireland, the Shaw Festival in Canada and at Shaw’s Corner in Hertfordshire, and has written about Shaw for the Times Literary and Higher Education Supplements. He has also been an expert witness on Shaw on BBC Radio 4’s Great Lives.​

Ivan also presents the podcast Better Known, which asks guests to nominate six things that they love that they think should be better known.

Recommended Play(s)

In episode 57 Ivan recommended The Philanthropist by Christopher Hampton.
In episode 68 Ivan recommended Cloud Nine by Caryl Churchill.

 

 

 

 

 

057 – Arms and the Man, by George Bernard Shaw

057 – Arms and the Man, by George Bernard Shaw

Alex Bhat as Major Sergius Saranoff
at the Orange Tree Theatre
Richmond 2022-23
Photo by Ellie Kurttz

 

057 – Arms and the Man, by George Bernard Shaw

Arms and the Man was George Bernard Shaw’s first public success as playwright when it premiered in the West End of London in 1894, and as it happens it is the first play by Shaw that we have covered on the podcast. The play is both an effervescent romantic comedy and a telling satire of love, war and social pretension. As we record this episode it is being revived in a joyous production at the Orange Tree Theatre in Richmond, south-west London, directed by its outgoing Artistic Director Paul Miller.

My guest to help us survey the battlefield of love in late 19th century Bulgaria is Shaw expert, Ivan Wise. Ivan was the editor of The Shavian, the journal of the Shaw Society from 2005 to 2010.

Ivan Wise

Ivan was the editor of The Shavian, the journal of the Shaw Society, for five years from 2005 to 2010. He has lectured on Shaw at the Carlow Festival in Ireland, the Shaw Festival in Canada and at Shaw’s Corner in Hertfordshire, and has written about Shaw for the Times Literary and Higher Education Supplements. He was recently the expert witness on Shaw on BBC Radio 4’s Great Lives.

Ivan also presents the podcast Better Known, which asks guests to nominate six things that they love that they think should be better known.

Recommended Play

Ivan recommended The Philanthropist by Christopher Hampton.

Photo © Marc Brenner
We have footnotes for this episode …

The Footnotes to our episode on George Bernard Shaw’s romantic comedy Arms and the Man include further observations on Shaw’s satire of social pretensions, as well as references to a few of the great names who have taken on the role of Major Sergius Saranoff.

Become a Patron!

Since I launched The Play Podcast in April 2020, I have managed to eschew any form of advertising or sponsorship, and I would like to continue to produce the podcast without doing so. I therefore invite you to help me to continue to make the podcast by becoming a Patron.
Additional benefits available to Patrons include Footnotes on the plays covered in the podcast, as well as exclusive access to The Play Review.

For details click here

Thank you very much for listening and for your support.
Douglas

The Texts
If you are interested in buying the play text or other related books, we’d be delighted if you choose to purchase them from our selected partners Bookshop.org and Blackwell’s. Not only will you be supporting independent booksellers, we will also earn a small commission on every book you purchase, which helps to keep the podcast going. Click on the cover to buy from our chosen partner. Thank you.
You might also be interested in …
115 – The Dance of Death by August Strindberg

115 – The Dance of Death by August Strindberg

August Strindberg’s The Dance of Death is set in a remote army base on the coast of Sweden, where an army captain and his wife are trapped together in an unhappy marriage. The captain, bitter at his lack of promotion, and his wife, frustrated at having been forced to give up her career as an actress, occupy their empty hours tearing into each other in a brutal dance of mutual cruelty.

Strindberg’s scorching portrait of marital strife was written in 1900, but has had a lasting influence. Arthur Miller dubbed Strindberg, “the mad inventor of modern theatre”, and echoes of his unflinching dissection of marital discord can be seen in the plays of Edward Albee, Tennessee Williams, Eugene O’Neill, and John Osborne.

Sir Richard Eyre adapted and directed a wonderful production of Dance of Death at the Orange Tree Theatre in Richmond upon Thames earlier this year, and I am delighted that Sir Richard joins me in this episode to guide us through Strindberg’s blistering onslaught on marriage.

114 – Love’s Labour’s Lost by William Shakespeare

114 – Love’s Labour’s Lost by William Shakespeare

William Shakespeare’s Love’s Labour’s Lost is described on the title page in the first publication of its text in 1598 as “A Pleasant Conceited Comedie.” I imagine that the epithets were intended to highlight the play’s courtly aesthetic, its frothy merry-go-round of courtship, and above all perhaps, its ostentatiously intricate word play. For it is a play rich in the love and perils of language.

I am joined to assay Shakespeare’s conceited comedy by the Artistic Director of the Orange Tree Theatre in Richmond upon Thames, Tom Littler. In the summer of 2026 Tom adapted and directed a magical double bill of Shakespeare, producing Love’s Labour’s Lost and Much Ado About Nothing in repertory, and staging them both ‘en plein air’.

113 – Arcadia by Tom Stoppard

113 – Arcadia by Tom Stoppard

Tom Stoppard’s 1993 play, Arcadia, is viewed by many as his finest play, renowned for the breadth of its intellectual interrogations and its formal invention. The play is a structural masterpiece of ideas, as well as a teasing detective story, joyous comedy, and emotionally rich exploration of love and loss.

As we record this episode a wonderful new production of Arcadia is playing at the Duke of York’s theatre in London’s West End, following its acclaimed run at the Old Vic theatre earlier this year. I am delighted to share the challenge and the pleasure of exploring Stoppard’s dazzling drama with the director of the new production, Carrie Cracknell.