Lindsay Posner Archives - The Play Podcast

078 – The Lover and The Collection, by Harold Pinter

by Douglas Schatz | Apr 5, 2024 | Podcast Episodes

Claudie Blakley and David Morrisey in The Lover photo by Nobby Clark

Claudie Blakley as Sarah, and
David Morrissey as Richard
in The Lover
Theatre Royal Bath
March 2023
Photograph by Nobby Clark

078 – The Lover and The Collection, by Harold Pinter

Podcast: Play in new window | Download

We have a double-bill on the programme in this episode – two short plays written by Harold Pinter back in the early 1960s when his fame was very much on the ascendant. The first is The Lover, which initially appears to be a conventional sex comedy involving infidelity in a middle-class marriage, but which contains a twist that turns the play into a darker exploration of sexual compulsion. Pinter’s biographer, the theatre critic Michael Billington, described The Lover as “an absolute gem…one of the most candid and revealing plays about sex in the English language.” It was first written for TV and broadcast in March 1963, before being staged at the Arts theatre in London in September that year, both productions starring Pinter’s then-wife Vivien Merchant as Sarah.

The second play in our double-bill is The Collection, written a year earlier than The Lover, but which also explores the impact of apparent adultery, in this case on the relationships of two couples. All of the parties involved come to promote different versions of events in their attempts to manipulate others, such that they, and we, are left uncertain as to what the truth might be.

The Collection was also first written and presented as a television play in May 1961, and then produced on stage by the Royal Shakespeare Company in London, which Pinter co-directed with Peter Hall, in June 1962. The Financial Times described the play at the time as “an under praised little masterpiece.”

As we record this episode a new production offering a double-bill of both of the plays has just opened at the Theatre Royal in Bath, directed by Lindsay Posner, with David Morrisey leading the cast. Loyal listeners will recall that Lindsay joined me to help pay homage to Michael Frayn’s comic masterpiece Noises Off in episode 58, and I’m delighted to welcome Lindsay back to the podcast to talk about these two Pinter gems.

Other plays by Harold Pinter covered on The Play Podcast:
006 – Betrayal
075 – The Homecoming

Lindsay Posner

Lindsay Posner has a remarkable list of theatrical credits as a director, both in the UK and internationally. Most recently he has directed three productions at the Theatre Royal in Bath, including The Lover and The Collection, Who’s Afraid of Virginia Woolf and A View from the Bridge, which transferred to the Theatre Royal Haymarket in London’d West End. He also has directed Noises Off on two occasions: first at the Old Vic Theatre in 2011, and then again at Theatre Royal Bath in 2022, which as we recorded our episode on the play in January 2023 arrived in London’s West End.

A fuller list of Lindsay’s credits can be found here on his guest page.

Recommended Play

Lindsay recommended People, Places & Things by Duncan Macmillan.

We have footnotes for this episode …

The Footnotes that accompany our episode on Harold Pinter’s two short plays The Lover and The Collection, include observations on the portrait of Sarah and Richard in The Lover as a conventional bourgeois English couple and their divergent ideas of sexual identity, and on Pinter’s clever dual construction of The Collection.

Footnotes for Patrons

Become a Patron!

Since I launched The Play Podcast in April 2020, I have managed to eschew any form of advertising or sponsorship, and I would like to continue to produce the podcast without doing so. I therefore invite you to help me to continue to make the podcast by becoming a Patron. Additional benefits available to Patrons include Footnotes on the plays covered in the podcast, as well as early access to The Play Review. For details click here Thank you very much for listening and for your support. Douglas

The Texts

If you are interested in buying the play text or other related books, we’d be delighted if you choose to purchase them from our selected partners Bookshop.org and Blackwell’s. Not only will you be supporting independent booksellers, we will also earn a small commission on every book you purchase, which helps to keep the podcast going. Click on the cover to buy from our chosen partner. Thank you.

113 – Arcadia by Tom Stoppard

Aug 21, 2026 | Podcast Episodes

Published 24th August

Tom Stoppard’s 1993 play, Arcadia is viewed by many as his finest play, renowned for the breadth of its intellectual interrogations and its formal invention. The play is a structural masterpiece of ideas, as well as a teasing detective story, joyous comedy, and emotionally rich exploration of love and loss.

As we record this episode a wonderful new production of Arcadia is playing at the Duke of York’s theatre in London’s West End, following its acclaimed run at the Old Vic theatre earlier this year. I am delighted to share the challenge and the pleasure of exploring Stoppard’s dazzling drama with the director of the new production, Carrie Cracknell.

112 – Glengarry Glen Ross by David Mamet

Jul 27, 2026 | Podcast Episodes

Podcast: Play in new window | Download

David Mamet’s modern American classic, Glengarry Glen Ross, is a blistering commentary on the cut-throat reality of the American dream, and its poisonous impact on those who have bought into the myth and machismo of that dream. The play had its world premiere in the small Cottesloe theatre at the National Theatre in London in September 1983, and was first performed in New York the following year, winning the Pulitzer Prize for Drama. Mamet also wrote the extended screenplay for the star-studded 1992 film version.

As we recorded this episode a new production of the play was playing at the Old Vic theatre in London, with an all-female cast. This is a particularly provocative idea, because one of the primary themes of this play is masculine identity, and the salesmen in this Chicago office do not hold back in their display of machismo.

To explore Mamet’s unflinching slice of 1980s dog-eat-dog capitalism, I am joined by arts journalist Mark Lawson.

111 – The Resistible Rise of Arturo Ui by Bertolt Brecht

Jul 2, 2026 | Podcast Episodes

Podcast: Play in new window | Download

Bertolt Brecht’s ‘gangster spectacle’, The Resistible Rise of Arturo Ui, is both an exuberant and funny piece of theatre, and a chillingly topical political satire. Set in the 1930s Chicago of Al Capone, Brecht presents a parody of the rise of Hitler through the character of the gangster Arturo Ui. The play is a universal cry for vigilance against the rise of unscrupulous, populist leaders who threaten democratic societies and global peace.

As we recorded this episode a new production of the play by the Royal Shakespeare Company was playing in Stratford-upon-Avon, starring Mark Gatiss as the title character.

I am delighted to be joined by both the show’s translator, playwright Stephen Sharkey, and by Brecht scholar, Professor Tom Kuhn, to guide us through Brecht’s political parody.

Lindsay Posner

by Douglas Schatz | Feb 7, 2023 | Contributor

Lindsay Posner

Lindsay Posner has a remarkable list of theatrical credits as a director, both in the UK and internationally. Most recently he has directed three productions at the Theatre Royal in Bath, including The Lover and The Collection, Who’s Afraid of Virginia Woolf and A View from the Bridge, which transferred to the Theatre Royal Haymarket in London’d West End. He also has directed Noises Off on two occasions: first at the Old Vic Theatre in 2011, and then again at Theatre Royal Bath in 2022, which as we recorded our episode on the play in January 2023 arrived in London’s West End.

Lindsay was Associate Director at the Royal Court Theatre from 1987-1992, where Main House credits included COLQUHOUN AND McBRYDE, THE TREATMENT, DEATH AND THE MAIDEN, and AMERICAN BAGPIPES.

His other credits include: STONES IN HIS POCKETS (UK Tour), DEAR ARABELLA (Lyric Theatre Belfast), GOD OF CARNAGE (Theatre Royal Bath), ROMEO & JULIET and RICHARD III (Shakespeare’s Rose Theatre, York), THE LIE (Menier Chocolate Factory), THE TRUTH (Menier Chocolate Factory, Wyndham’s), CINDERELLA (Stage Entertainment Moscow), THE END OF LONGING (Playhouse), SHE STOOPS TO CONQUER (Theatre Royal Bath),
COMMUNICATING DOORS (Menier Chocolate Factory), HAYFEVER (Theatre Royal Bath/West End), SPEED THE PLOW (Theatre Royal Bath, West End), OTHER DESERT CITIES (Old Vic Theatre), THE WINSLOW BOY (Roundabout Theatre, New York; Old Vic Theatre),mA LITTLE HOTEL ON THE SIDE (Theatre Royal Bath), THE TURN OF THE SCREW (ACT Productions & Hammer Theatre of Horror; Almeida Theatre), UNCLE VANYA (Vaudeville Theatre; Stanhope Productions),
RELATIVELY SPEAKING (Bath Theatre Royal, West End), RICHARD III (The Old Globe Theatre, San Diego), ABIGAIL’S PARTY (Menier Chocolate Factory / Bath Theatre Royal & West End), NOISES OFF (The Old Vic Theatre & West End),
BUTLEY (The Duchess Theatre), AN IDEAL HUSBAND (The Vaudeville Theatre), HOUSE OF GAMES (Almeida Theatre),
A VIEW FROM THE BRIDGE (Duke of York’s Theatre), CAROUSEL (Churchill Theatre, UK Tour and Savoy Theatre),
FIDDLER ON THE ROOF (Sheffield Crucible and Savoy Theatre), 3 SISTERS ON HOPE STREET (Liverpool Everyman and Hampstead Theatre), TOM AND VIV (Almeida Theatre), FOOL FOR LOVE (Apollo Theatre), THE HYPOCHONDRIAC (Almeida Theatre), THE BIRTHDAY PARTY (Duchess Theatre), ROMANCE (Almeida Theatre), A LIFE IN THE THEATRE (Apollo Theatre), OLEANNA (Garrick Theatre), THE CARETAKER (Bristol Old Vic), SEXUAL PERVERSITY IN CHICAGO (Comedy Theatre), POWER (Cottesloe Theatre at the RNT), TARTUFFE (Lyttleton Theatre at the RNT), TWELFTH NIGHT (RSC, Stratford and the Barbican Theatre), THE RIVALS (RSC, Stratford and the Barbican Theatre), THE TAMING OF THE SHREW (RSC at The Pit), VOLPONE (RSC at The Swan), AFTER DARWIN (Hampstead Theatre), AMERICAN BUFFALO (Young Vic), THE PROVOK’D WIFE (Old Vic), THE LADY FROM THE SEA (Lyric Hammersmith and West ,THE SEAGULL (Gate Theatre, Dublin), THE ROBBERS (Gate Theatre, London), LEONCE AND LENA (Sheffield Crucible Studio), THE DOCTOR OF HONOUR (UK Tour and Donmar Warehouse), MUCH ADO ABOUT NOTHING (Regents Park Open Air Theatre)

Podcast Episode(s)

058 - Noises Off, by Michael Frayn

078 - The Lover and The Collection, by Harold Pinter

Recommended Play(s)

Lindsay recommended The Truth by Florian Zeller in episode 58, and
he recommended People, PLaces & Things by Duncan Macmillan in episode 78.

058 – Noises Off, by Michael Frayn

by Douglas Schatz | Feb 6, 2023 | Podcast Episodes

Felicity Kendall as Dotty, Alexander Hanson as Lloyd, and Tracy-Ann Oberman as Belinda
in Noises Off, London 2023
Photo by Nobby Clark

058 – Noises Off, by Michael Frayn

Podcast: Play in new window | Download

Michael Frayn’s iconic comedy Noises Off is a farce about putting on a farce, in which a touring theatre company stage a dated British sex farce entitled Nothing On. As the hapless actors struggle to remember their lines and hit their queues, Frayn gives us a glimpse backstage of the mechanics of theatre, and of the disintegrating relationships of the cast as they toil through their interminable regional tour. Noises Off is a work of theatrical genius. Its parody of second-rate theatre-making is delivered with extraordinary invention and immaculate timing, while it also highlights the humanity of its characters as they stumble through the chaos of the production and their lives.

The play premiered at the Lyric theatre in Hammersmith in 1982, before transferring to the Savoy Theatre, where it won the Evening Standard award for Best Comedy and ran for 5 years with five successive casts. It was produced on Broadway in 1983, where the famed New York theatre critic Frank Rich called it the funniest play written in his lifetime. To mark its 40th anniversary, the Theatre Royal Bath mounted a revival, that as we record this episode arrives on stage at the Phoenix theatre in London’s West End in an hilarious production directed by Lindsay Posner.

I’m absolutely delighted to be joined today by Lindsay Posner, who has the distinction of having directed Noises Off twice in his distinguished career. What could possibly go wrong?!

PS You may also enjoy our episode with Michael Frayn on his play Copenhagen.

Lindsay Posner

Lindsay Posner has a remarkable list of theatrical credits as a director, both in the UK and internationally. He has directed Noises Off on two occasions: first at the Old Vic Theatre in 2011, and then most recently at Theatre Royal Bath in 2022, which as we recorded our episode arrived at the Phoenix Theatre in London’s West End. At the same time, his production of Edward Albee’s classic Who’s Afraid of Virginia Woolf was running on the Ustinov stage at the Theatre Royal in Bath.

Lindsay was Associate Director at the Royal Court Theatre from 1987-1992.

We’ve included a list of Lindsay’s other credits on his Guest page: Lindsay Posner.

Recommended Play

Lindsay recommended The Truth by Florian Zeller.

We have footnotes for this episode …

The Footnotes to our episode on Michael Frayn’s comic masterpiece Noises Off include extracts from the fictional programme to Nothing On, the play-within-the-play, and a reprisal of one of the best jokes in the play.

Footnotes for Patrons

Become a Patron!

Since I launched The Play Podcast in April 2020, I have managed to eschew any form of advertising or sponsorship, and I would like to continue to produce the podcast without doing so. I therefore invite you to help me to continue to make the podcast by becoming a Patron.
Additional benefits available to Patrons include Footnotes on the plays covered in the podcast, as well as exclusive access to The Play Review.

For details click here

Thank you very much for listening and for your support.
Douglas

The Texts

If you are interested in buying the play text or other related books, we’d be delighted if you choose to purchase them from our selected partners Bookshop.org and Blackwell’s. Not only will you be supporting independent booksellers, we will also earn a small commission on every book you purchase, which helps to keep the podcast going. Click on the cover to buy from our chosen partner. Thank you.

113 – Arcadia by Tom Stoppard

Aug 21, 2026 | Podcast Episodes

Published 24th August

Tom Stoppard’s 1993 play, Arcadia is viewed by many as his finest play, renowned for the breadth of its intellectual interrogations and its formal invention. The play is a structural masterpiece of ideas, as well as a teasing detective story, joyous comedy, and emotionally rich exploration of love and loss.

As we record this episode a wonderful new production of Arcadia is playing at the Duke of York’s theatre in London’s West End, following its acclaimed run at the Old Vic theatre earlier this year. I am delighted to share the challenge and the pleasure of exploring Stoppard’s dazzling drama with the director of the new production, Carrie Cracknell.

112 – Glengarry Glen Ross by David Mamet

Jul 27, 2026 | Podcast Episodes

Podcast: Play in new window | Download

David Mamet’s modern American classic, Glengarry Glen Ross, is a blistering commentary on the cut-throat reality of the American dream, and its poisonous impact on those who have bought into the myth and machismo of that dream. The play had its world premiere in the small Cottesloe theatre at the National Theatre in London in September 1983, and was first performed in New York the following year, winning the Pulitzer Prize for Drama. Mamet also wrote the extended screenplay for the star-studded 1992 film version.

As we recorded this episode a new production of the play was playing at the Old Vic theatre in London, with an all-female cast. This is a particularly provocative idea, because one of the primary themes of this play is masculine identity, and the salesmen in this Chicago office do not hold back in their display of machismo.

To explore Mamet’s unflinching slice of 1980s dog-eat-dog capitalism, I am joined by arts journalist Mark Lawson.

111 – The Resistible Rise of Arturo Ui by Bertolt Brecht

Jul 2, 2026 | Podcast Episodes

Podcast: Play in new window | Download

Bertolt Brecht’s ‘gangster spectacle’, The Resistible Rise of Arturo Ui, is both an exuberant and funny piece of theatre, and a chillingly topical political satire. Set in the 1930s Chicago of Al Capone, Brecht presents a parody of the rise of Hitler through the character of the gangster Arturo Ui. The play is a universal cry for vigilance against the rise of unscrupulous, populist leaders who threaten democratic societies and global peace.

As we recorded this episode a new production of the play by the Royal Shakespeare Company was playing in Stratford-upon-Avon, starring Mark Gatiss as the title character.

I am delighted to be joined by both the show’s translator, playwright Stephen Sharkey, and by Brecht scholar, Professor Tom Kuhn, to guide us through Brecht’s political parody.