Margaret Perry Archives - The Play Podcast

Margaret Perry

by Douglas Schatz | Mar 2, 2023 | Contributor

Margaret Perry

Margaret Perry is originally from Cork in Ireland, and now lives in London. Her debut play, Porcelain, was picked from the unsolicited script pile and produced by the Abbey Theatre in Dublin in 2018. Porcelain masterfully interweaves the story of a new mother in London in 2017 battling post-natal depression, with the famous 19th century Irish tale of Bridget Cleary, whose husband murdered her claiming that she had been taken by fairies.

Her second play Collapsible started life at the Vaults Festival in London in 2019, going on to win awards at both the Edinburgh and Dublin Fringe Festivals, followed by a successful run at the Bush Theatre in 2020.

Margaret joins me to talk about her new play Paradise Now! after its acclaimed run at the Bush. The Telegraph said when Paradise Now! opened in December 2022 that it “might well be the best new play of the year.”

Podcast Episode(s)

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059 - Paradise Now! , by Margaret Perry

Recommended Play(s)

Margaret recommended John by Annie Baker.

059 – Paradise Now! , by Margaret Perry

by Douglas Schatz | Mar 2, 2023 | Podcast Episodes

059 – Paradise Now! , by Margaret Perry

Podcast: Play in new window | Download

The subject of this episode is a scintillating new play written by Irish playwright, Margaret Perry, which as we recorded our conversation had recently completed an acclaimed run at the Bush Theatre in London. When it opened in December 2022 the Telegraph said that Paradise Now! “might well be the best new play of the year”.

Paradise Now! brings together a group of women who sign up to a pyramid selling scheme that promotes a range of body and home oils under the brand banner ‘Paradise’. The so-called “Essential” oils offer balm to a myriad of stresses in modern life, while also promising the team that sell them both wealth and a nurturing community of supportive colleagues. ‘Paradise’ is a parody of the well-being industry and of corporate culture generally, and it is a very funny and incisive satire. It is also an affecting exploration of private ambition and the search for self-worth and connection in our fractured world of social media and short-term success. The women who join the sales scheme are themselves looking for cures to challenges in their own lives, and the road to Paradise Now! is not so sure and smooth.

I’m delighted to be joined by Margaret Perry to talk about her perceptive, funny and moving new play.

Margaret Perry

Margaret Perry, like some of the characters in her new play, is originally from Cork in Ireland, and now lives in London. Her debut play, Porcelain, was picked from the unsolicited script pile and produced by the Abbey Theatre in Dublin in 2018. Porcelain masterfully interweaves the story of a new mother in London in 2017 battling post-natal depression, with the famous 19th century Irish tale of Bridget Cleary, whose husband murdered her claiming that she had been taken by fairies.

Recommended Play

Margaret recommended John by Annie Baker.

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115 – The Dance of Death by August Strindberg

Oct 6, 2026 | Podcast Episodes

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August Strindberg’s The Dance of Death is set in a remote army base on the coast of Sweden, where an army captain and his wife are trapped together in an unhappy marriage. The captain, bitter at his lack of promotion, and his wife, frustrated at having been forced to give up her career as an actress, occupy their empty hours tearing into each other in a brutal dance of mutual cruelty.

Strindberg’s scorching portrait of marital strife was written in 1900, but has had a lasting influence. Arthur Miller dubbed Strindberg, “the mad inventor of modern theatre”, and echoes of his unflinching dissection of marital discord can be seen in the plays of Edward Albee, Tennessee Williams, Eugene O’Neill, and John Osborne.

Sir Richard Eyre adapted and directed a wonderful production of Dance of Death at the Orange Tree Theatre in Richmond upon Thames earlier this year, and I am delighted that Sir Richard joins me in this episode to guide us through Strindberg’s blistering onslaught on marriage.

114 – Love’s Labour’s Lost by William Shakespeare

Sep 22, 2026 | Podcast Episodes

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William Shakespeare’s Love’s Labour’s Lost is described on the title page in the first publication of its text in 1598 as “A Pleasant Conceited Comedie.” I imagine that the epithets were intended to highlight the play’s courtly aesthetic, its frothy merry-go-round of courtship, and above all perhaps, its ostentatiously intricate word play. For it is a play rich in the love and perils of language.

I am joined to assay Shakespeare’s conceited comedy by the Artistic Director of the Orange Tree Theatre in Richmond upon Thames, Tom Littler. In the summer of 2026 Tom adapted and directed a magical double bill of Shakespeare, producing Love’s Labour’s Lost and Much Ado About Nothing in repertory, and staging them both ‘en plein air’.

113 – Arcadia by Tom Stoppard

Aug 24, 2026 | Podcast Episodes

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Tom Stoppard’s 1993 play, Arcadia, is viewed by many as his finest play, renowned for the breadth of its intellectual interrogations and its formal invention. The play is a structural masterpiece of ideas, as well as a teasing detective story, joyous comedy, and emotionally rich exploration of love and loss.

As we record this episode a wonderful new production of Arcadia is playing at the Duke of York’s theatre in London’s West End, following its acclaimed run at the Old Vic theatre earlier this year. I am delighted to share the challenge and the pleasure of exploring Stoppard’s dazzling drama with the director of the new production, Carrie Cracknell.