Mark Taylor-Batty

Mark Taylor-Batty

Mark Taylor-Batty

Mark Taylor-Batty is a senior lecturer in Theatre Studies at Leeds University. His key areas of interest include the career of Harold Pinter, the theatricality of Samuel Beckett, and twentieth-century French and British theatre.

He is a co-editor of the Methuen Drama Engage series of books, and most appropriately for our purposes he is the author of two books on Harold Pinter: The Theatre of Harold Pinter (published by Bloomsbury) and About Pinter: The Playwright and The Work (published by Faber and Faber).

He is also a Director of the Harold Pinter Society.

Recommended Play(s)

Mark recommended ear for eye by debbie tucker green.

 

 

 

006 – Betrayal, by Harold Pinter

006 – Betrayal, by Harold Pinter

006 – Betrayal, by Harold Pinter

Pinter’s modern classic dissects the dynamics of betrayal in marriage, friendship and work. The ambiguities of the adulterous affair that is the core of the play are made all the more unsettling by the innovative chronology of the narrative: the play famously opens with the end of the affair and works backwards to its inception.

Joining us to mine the depths of Pinter’s compressed masterpiece is Mark Taylor-Batty, senior lecturer in Theatre Studies at the University of Leeds and author of The Theatre of Harold Pinter (Bloomsbury 2014).

Dr. Mark Taylor-Batty

Mark is a senior lecturer in Theatre Studies at Leeds University. His key areas of interest include the career of Harold Pinter, the theatricality of Samuel Beckett, and twentieth-century French and British theatre. He is a co-editor of the Methuen Drama Engage series of books, and most appropriately for our purposes he is the author of two books on Harold Pinter: The Theatre of Harold Pinter (published by Bloomsbury) and About Pinter: The Playwright and The Work (published by Faber and Faber). He is also a Director of the Harold Pinter Society.

Recommended Play

Mark recommended ear for eye by debbie tucker green.

The Texts

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Photo © Marc Brenner

We have footnotes for this episode …

The footnotes to accompany our episode on Betrayal include observations on Joan Bakewell’s version of their affair, why the island of Torcello is the perfect choice for their honeymoon visit, and the society of the 1970s the play is set in.​

You might also be interested in …

052 – The Seagull, by Anton Chekhov

052 – The Seagull, by Anton Chekhov

Anton Chekhov’s play The Seagull was a disaster on its opening night in St Petersburg in 1896. The unsettling blend of comedy and pathos that confused the first critics and audience were subsequently recognised as seminal in the evolution of modern drama.

I’m delighted to welcome back playwright and professor, Dan Rebellato, to talk about Chekhov and his timeless play.

051 – Closer, by Patrick Marber

051 – Closer, by Patrick Marber

Patrick Marber’s play Closer depicts a merry-go-round of metropolitan relationships powered by sex and betrayal. Its clever and candid dissection of the destructive power of sexual desire hit a contemporary nerve when it premiered in 1997.
Clare Lizzimore, director of a new production at the Lyric Hammersmith, joins me to explore how the play’s unflinching sexual politics has aged twenty-five years later.

050 – Jerusalem, by Jez Butterworth

050 – Jerusalem, by Jez Butterworth

Jez Butterworth’s play Jersualem is one of the landmark plays of the 21st century, acclaimed for both its lyrical and elusive text exploring English identity, and for its electrifying theatrical production. The once-in-a lifetime performance is happily being repeated with the current West End revival, and it seems fitting that our 50th episode be devoted to this remarkable play. I’m joined by David Ian Rabey, Emeritus Professor at Aberystwyth University and author of The Theatre and Films of Jez Butterworth.