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Michael Frayn

Michael Frayn

Michael Frayn

Michael Frayn is a bestselling and award-winning novelist, journalist, screen writer and playwright. After reading Philosophy at Cambridge, he worked as a reporter and columnist for the Guardian and the Observer newspapers. His eleven novels include Headlong, the story of the discovery of a lost painting by Bruegel, which was shortlisted for the Booker Prize for Fiction; Spies, which won the 2002 Whitbread Novel Award; and Skios published in 2012.

His numerous full-length plays include Donkeys’ Years, Clouds, Balmoral, Benefactors, Democracy, Afterlife, and of course arguably the funniest farce ever written, Noises Off. His collection of playlets, Matchbox Theatre was published in 2014, and performed at the Hampstead Theatre in 2015. He is also renowned for his masterly translations of Chekhov, having learned Russian while doing his National Service. He also wrote the screenplay for the film Clockwise, starring John Cleese.

Photo by Jillian Edelstein

Recommended Play(s)

Michael recommended Art by Yasmina Reza.

 

 

 

018 – Copenhagen, by Michael Frayn

018 – Copenhagen, by Michael Frayn

 

 

018 – Copenhagen, by Michael Frayn

It is September 1941. German physicist Werner Heisenberg is visiting his friend and former colleague Niels Bohr at his home in Copenhagen. But this is not an ordinary meeting. Denmark is occupied by the forces of the Third Reich, and Heisenberg is a member of the German scientific team working on the potential applications of nuclear fission. Bohr is half Jewish. Both men are under surveillance by the Gestapo. What is the reason for their meeting at this charged time?

This is the central question of Michael Frayn’s award-winning play Copenhagen. Why Heisenberg visited Bohr in 1941 has remained a mystery ever since, particularly as the accounts given by each of them over the years that followed were vague and divergent. Interest in the import of their meeting is heightened because of what was at stake as Hitler’s armies overran Europe. What were the two men’s respective roles in the development of lethal nuclear weapons? Did they compare notes on the practical possibilities or moral responsibilities? How did Heisenberg reconcile scientific or personal ethics with collaboration with the Nazi regime? And what about Bohr’s prospects as the son of a Jewish mother with the program of mass exportation intensifying? All of these questions, and more, are explored in Michael Frayn’s absorbing play.

Copenhagen premiered at the National Theatre in 1998, winning the Evening Standard Award for Best Play that year. It transferred to the West End in the following year, and opened on Broadway the year after that, also winning the Tony award for Best Play. The play has been revived many times since and is scheduled to be presented again later in January 2021 at the Theatre Royal Bath.
The play has also been made into a BBC television film, the text adapted and directed by Howard Davies, with Daniel Craig, Stephen Rea and Francesca Annis in the cast

I am delighted and honoured to be joined in this episode by the playwright himself.

Michael Frayn

Michael Frayn is a bestselling and award-winning novelist, journalist, screen writer and playwright. After reading Philosophy at Cambridge, he worked as a reporter and columnist for the Guardian and the Observer newspapers. His eleven novels include Headlong, the story of the discovery of a lost painting by Bruegel, which was shortlisted for the Booker Prize for Fiction; Spies, which won the 2002 Whitbread Novel Award; and Skios published in 2012.

His numerous full-length plays include Donkeys’ Years, Clouds, Balmoral, Benefactors, Democracy, Afterlife, and of course arguably the funniest farce ever written, Noises Off. His collection of playlets, Matchbox Theatre was published in 2014, and performed at the Hampstead Theatre in 2015. He is also renowned for his masterly translations of Chekhov, having learned Russian while doing his National Service. He also wrote the screenplay for the film Clockwise, starring John Cleese.

Recommended Play

Michael recommended Art by Yasmina Reza.

Photo: Jillian Edelstein

Photo © Marc Brenner
We have footnotes for this episode …

The Footnotes to our episode on Copenhagen include more on the atomic metaphors that resonate through the play, the drama that played out at Farm Hall country house in 1945, and the darkness of Elsinore.

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080 – Long Day’s Journey into Night, by Eugene O’Neill

080 – Long Day’s Journey into Night, by Eugene O’Neill

Eugene O’Neill wrote his autobiographical magnum opus, Long Day’s Journey into Night, in 1941, but because of the personal revelations it contained he gave explicit instructions that it was not to be published until 25 years after his death and that it should never be staged. In the event his widow allowed both to occur in 1956, only three years after his death, when the play won O’Neill his fourth Pulitzer prize.

As we record this episode, a powerful new production of the play is playing in London, with Brian Cox and Patricia Clarkson heading the cast. I am delighted and privileged to talk with the production’s director, Jeremy Herrin, about O’Neill’s monumental play.

Photo by Johan Persson.

079 – The Hills of California, by Jez Butterworth

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I’m joined to explore this major new work by Sean McEvoy, author of Class, Culture and Tragedy in the Plays of Jez Butterworth.

078 – The Lover and The Collection, by Harold Pinter

078 – The Lover and The Collection, by Harold Pinter

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I’m delighted to welcome Lindsay back to the podcast to talk about these two Pinter gems.

Claudie Blakley and David Morrissey in The Lover
Photo by Nobby Clark