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Clare Lizzimore

Clare Lizzimore

Clare Lizzimore

Clare Lizzimore is a director and a writer. She was a resident director the Citizens Theatre in Glasgow and a staff director at the National Theatre, and she has directed numerous plays as part of the Royal Court Theatre’s international programme.

More recently she has directed plays not only at the Royal Court, but at the Arcola, Theatre 503, Hampstead, the Kiln, the Old Fire Station in Oxford and at the Young Vic, where her production of Mike Bartlett’s play Bull won an Olivier Award for Outstanding Achievement in an Affiliate Theatre.

As a playwright, Clare has written plays for the Royal Court and the Studio Theatre in Washington, DC.

Podcast Episode(s)

Recommended Play(s)

Clare recommended The Pillowman by Martin McDonagh

 

 

 

051 – Closer, by Patrick Marber

051 – Closer, by Patrick Marber

Sam Troughton as Larry
Noina Toussaint-White as Anna
in Closer at the Lyric Hammersmith 2022
Photo by Marc Brenner

 

 

 

051 – Closer, by Patrick Marber

Patrick Marber’s play Closer depicts a merry-go-round of metropolitan relationships powered by sex and betrayal, where partners fall in and out of love in constant search of new stimulation and self-worth. The play premiered at the National Theatre in 1997, and its clever and candid dissection of the destructive power of sexual desire hit a contemporary nerve, propelling it on to the West End and Broadway, and winning Olivier and NY Critics Circle Awards. It was also made into a film in 2005, directed by Mike Nichols, and starring Clive Owen, Julia Roberts, Jude Law and Natalie Portman.

Now twenty-five years on the play has been revived at the Lyric Hammersmith in a dazzling new production directed by Clare Lizzimore. Clare joins me in this episode to explore how Marber’s portrait of sexual behaviour written in a different social and moral time has aged. Does its unflinching display of basic instincts still offer salutary truths in our #MeToo world?

Clare Lizzimore

Clare Lizzimore is a director and a writer. She was a resident director the Citizens Theatre in Glasgow and a staff director at the National Theatre, and she has directed numerous plays as part of the Royal Court Theatre’s international programme.

More recently she has directed plays not only at the Royal Court, but at the Arcola, Theatre 503, Hampstead, the Kiln, the Old Fire Station in Oxford and at the Young Vic, where her production of Mike Bartlett’s play Bull won an Olivier Award for Outstanding Achievement in an Affiliate Theatre.

As a playwright, Clare has written plays for the Royal Court and the Studio Theatre in Washington, DC.

 

Recommended Play

Clare recommended The Pillowman by Martin McDonagh

Photo © Marc Brenner
We have footnotes for this episode …

The Footnotes to our episode on Closer include more on the chronology of the scenes in the play, Marber’s clever manipulation of time and space in the staging, the significance of the Newton’s Cradle prop, and the resonance of the title.

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071 – Clyde’s, by Lynn Nottage

071 – Clyde’s, by Lynn Nottage

Lynn Nottage’s play Clyde’s is set in a truck-stop diner on the outskirts of Reading, Pennsylvania. This is no ordinary diner though, because the short-order cooks that make the sandwiches that the diner is famous for are all ex-cons. The eponymous proprietor, Clyde, has not offered these characters a second chance out of the softness of her heart, but they discover some unexpected hope for their futures in their communal sufferings and support.

Lynn Nottage has won the Pulitzer Prize for drama twice, and as we record this episode the European premiere of Clyde’s is on stage at the Donmar Warehouse in London. I am delighted to be joined by the show’s director Lynette Linton, who also directed Nottage’s last play Sweat at the same theatre in 2018.

070 – King Lear, by William Shakespeare

070 – King Lear, by William Shakespeare

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As we record this episode a new production directed by and starring Sir Kenneth Branagh arrives in London’s West End.

I am very pleased to be joined in this episode by Paul Prescott, who is an academic, writer and theatre practitioner specialising in Shakespearean drama.

069 – A View from the Bridge, by Arthur Miller

069 – A View from the Bridge, by Arthur Miller

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As we record this episode a new production of A View from the Bridge is touring the UK, and I’m delighted to talk with its director, Holly Race Roughan, about this powerful play.