Clare Lizzimore Archives - The Play Podcast

Clare Lizzimore

by Douglas Schatz | Sep 4, 2022 | Contributor

Clare Lizzimore

Clare Lizzimore is a director and a writer. She was a resident director the Citizens Theatre in Glasgow and a staff director at the National Theatre, and she has directed numerous plays as part of the Royal Court Theatre’s international programme.

More recently she has directed plays not only at the Royal Court, but at the Arcola, Theatre 503, Hampstead, the Kiln, the Old Fire Station in Oxford and at the Young Vic, where her production of Mike Bartlett’s play Bull won an Olivier Award for Outstanding Achievement in an Affiliate Theatre.

As a playwright, Clare has written plays for the Royal Court and the Studio Theatre in Washington, DC.

Podcast Episode(s)

051 - Closer, by Patrick Marber

Recommended Play(s)

Clare recommended The Pillowman by Martin McDonagh

051 – Closer, by Patrick Marber

by Douglas Schatz | Aug 27, 2022 | Podcast Episodes

Sam Troughton as Larry
Noina Toussaint-White as Anna
in Closer at the Lyric Hammersmith 2022
Photo by Marc Brenner

051 – Closer, by Patrick Marber

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Patrick Marber’s play Closer depicts a merry-go-round of metropolitan relationships powered by sex and betrayal, where partners fall in and out of love in constant search of new stimulation and self-worth. The play premiered at the National Theatre in 1997, and its clever and candid dissection of the destructive power of sexual desire hit a contemporary nerve, propelling it on to the West End and Broadway, and winning Olivier and NY Critics Circle Awards. It was also made into a film in 2005, directed by Mike Nichols, and starring Clive Owen, Julia Roberts, Jude Law and Natalie Portman.

Now twenty-five years on the play has been revived at the Lyric Hammersmith in a dazzling new production directed by Clare Lizzimore. Clare joins me in this episode to explore how Marber’s portrait of sexual behaviour written in a different social and moral time has aged. Does its unflinching display of basic instincts still offer salutary truths in our #MeToo world?

Clare Lizzimore

As a playwright, Clare has written plays for the Royal Court and the Studio Theatre in Washington, DC.

Recommended Play

Clare recommended The Pillowman by Martin McDonagh

We have footnotes for this episode …

The Footnotes to our episode on Closer include more on the chronology of the scenes in the play, Marber’s clever manipulation of time and space in the staging, the significance of the Newton’s Cradle prop, and the resonance of the title.

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063 – Dancing at Lughnasa, by Brian Friel

May 24, 2023 | Podcast Episodes

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Brian Friel’s magical memory play Dancing at Lughnasa is set at the time of the harvest festival in rural Ireland in 1936. It’s account of the events of that summer in the house of the five unmarried Mundy sisters is filtered many years later through the memory of Michael, the son of the youngest sister. His memory is undoubtedly unreliable, but it is also funny, poetic and profoundly poignant.

Josie Rourke, who directs the gorgeous new production of the play currently playing at the National Theatre in London, joins us to explore Friel’s spellbinding masterpiece.

062 – Private Lives, by Noël Coward

Apr 26, 2023 | Podcast Episodes

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Noël Coward’s play Private Lives is both a dazzling dramatic comedy and an excoriating portrait of love and marriage among the disaffected elite of the Jazz Age. Coward himself starred in the premiere production in both London and New York in 1930, the critics acclaiming the show’s construction and wit, but predicting that it would not last. As a new production opens at the Donmar theatre in London, I ask Coward’s newest biographer, Oliver Soden, why the play has aged so well.

061 – Sea Creatures, by Cordelia Lynn

Apr 13, 2023 | Podcast Episodes

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Cordelia Lynn’s play Sea Creatures is a poetic exploration of loss and grief, its setting betwixt the sea and shore rich in metaphoric resonances. As we record this episode, Sea Creatures is playing at the Hampstead Theatre in London in a spellbinding production directed by James Macdonald.

I am delighted to be joined by playwright Cordelia Lynn to talk about her fascinating new play.